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Carrion_Crow

Stealth Head

+49667


Submissions

4
Brokedown Palace
Oct. 29, 1971
Allen Theatre

Powerful, sweet vocals and nice harmonies. Totally overlooked great 1st set on this show.
1
Playin' In The Band
Oct. 29, 1971
Allen Theatre

Keith on a what sounds like a Hammond B3 gives a mad funky vibe. Goes into the Main Ten theme and is pretty hardcore. Special early Keith version.
3
Loser
Oct. 29, 1971
Allen Theatre

Solid and grooving with a nice pulse. Keith is still brand new, but fits in beautifully.
1
El Paso
Oct. 29, 1971
Allen Theatre

Dynamite. Kicks off nicely.
5
Wharf Rat
Dec. 4, 1971
Felt Forum, Madison Square Garden

A subtle beauty with a sensitive touch that never gives up its strong pulse. An über-cool slide into Deal sneaks in but doesn't get picked up.

Comments

Cassidy
July 16, 1976
Orpheum Theatre

Thanks Darkstar67, you can alwaysI trust a Miller source. I'm giving this set another day's listening. This has got to be one of the best hidden 'off the beaten path' extended 2nd set jams ever, with over an hour from Playin' all the way to Around and Around continuous.
The Wheel
July 16, 1976
Orpheum Theatre

Much more powerful on the vocals than many of the others around this time. They really belt it out as an ensemble and it's brilliant. The whole 2nd set is jaw-dropping.
Scarlet Begonias
July 16, 1976
Orpheum Theatre

Just sublime. An absolute punch-up beeyute of a standalone Scarlet. I know this is sacrilege to some of you, but I really appreciate the standalones before Scarlett was ankle-chained forever to FTM. Now I love those too, don't get me wrong, but finding SB as a set-closer (this one), or somewhere between others songs in a long jam (check her out on 15 June 1976 in between Sugar Mag and SSDD) gave it a lot of freedom that somehow got lost later on. Just sayin'.
Pretty Peggy O
July 16, 1976
Orpheum Theatre

Really should be higher. This has a strong pulse, sweet soloing, and a powerful rocking feel.
Brown Eyed Women
July 16, 1976
Orpheum Theatre

You can hear them develop a new sound for this song on both this one and the version from the 14th. There's no other way to describe it, but it's the first real indication to my ear of where they'd be by the beginning of '77, more crisp, more clean, and much more polished.