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Carrion_Crow

Stealth Head

+49682


Submissions

20
Playin' In The Band
April 29, 1972
Musikhalle

A mysterious beauty. Understated, elegant, and crystal clear, but shredding and fun. A nice little gem.
44
Truckin'
April 26, 1972
Jahrhunderthalle

Hard rocker. Great interplay and the band at the top of their '72 game. "No. 1 in Turlock, and that's a fact". - Bobby.
30
He's Gone
April 26, 1972
Jahrhunderthalle

Uptempo, almost a shuffle, like the best of the '72s. High energy 1st set.
7
The Other One
April 5, 1971
Manhattan Center

Powerful version with insane Phil muscular bass kicking into a sweet Wharf Rat. A gem of a show.
14
Let It Grow
June 23, 1974
Jai-Alai Fronton

Sneaks up calm then hits critical mass: Suddenly you are the blade of grass, the dew on the crops, the explosive heat of summertime. Love it.

Comments

Cassidy
July 16, 1976
Orpheum Theatre

Thanks Darkstar67, you can alwaysI trust a Miller source. I'm giving this set another day's listening. This has got to be one of the best hidden 'off the beaten path' extended 2nd set jams ever, with over an hour from Playin' all the way to Around and Around continuous.
The Wheel
July 16, 1976
Orpheum Theatre

Much more powerful on the vocals than many of the others around this time. They really belt it out as an ensemble and it's brilliant. The whole 2nd set is jaw-dropping.
Scarlet Begonias
July 16, 1976
Orpheum Theatre

Just sublime. An absolute punch-up beeyute of a standalone Scarlet. I know this is sacrilege to some of you, but I really appreciate the standalones before Scarlett was ankle-chained forever to FTM. Now I love those too, don't get me wrong, but finding SB as a set-closer (this one), or somewhere between others songs in a long jam (check her out on 15 June 1976 in between Sugar Mag and SSDD) gave it a lot of freedom that somehow got lost later on. Just sayin'.
Pretty Peggy O
July 16, 1976
Orpheum Theatre

Really should be higher. This has a strong pulse, sweet soloing, and a powerful rocking feel.
Brown Eyed Women
July 16, 1976
Orpheum Theatre

You can hear them develop a new sound for this song on both this one and the version from the 14th. There's no other way to describe it, but it's the first real indication to my ear of where they'd be by the beginning of '77, more crisp, more clean, and much more polished.