headyversion

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Carrion_Crow

Stealth Head

+49742


Submissions

9
The Race Is On
June 24, 1973
Memorial Coliseum

Lovely mid-tempo ensemble singing with Bobby, Donna, and Jerry audible (Keith too?). Great driving bass and piano.
12
Big Railroad Blues
June 24, 1973
Memorial Coliseum

Fun, fast and loose in the joints.
24
They Love Each Other
June 24, 1973
Memorial Coliseum

Clear melodic jamming, fun and uptempo.
33
New Potato Caboose
Oct. 12, 1968
Avalon Ballroom

Starts with gongs and cymbals in the cosmic dust of an outrageous TOO>Cryptical, then gears up and goes supernova for over 20 minutes.
14
Me and Bobby McGee
April 29, 1971
Fillmore East

My new favourite version, and I never choose "favourites". Passionate perfect Bobby, the band so tight, Jer's perfect harmony, Phil driving it all.
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Comments

Cassidy
July 16, 1976
Orpheum Theatre

Thanks Darkstar67, you can alwaysI trust a Miller source. I'm giving this set another day's listening. This has got to be one of the best hidden 'off the beaten path' extended 2nd set jams ever, with over an hour from Playin' all the way to Around and Around continuous.
The Wheel
July 16, 1976
Orpheum Theatre

Much more powerful on the vocals than many of the others around this time. They really belt it out as an ensemble and it's brilliant. The whole 2nd set is jaw-dropping.
Scarlet Begonias
July 16, 1976
Orpheum Theatre

Just sublime. An absolute punch-up beeyute of a standalone Scarlet. I know this is sacrilege to some of you, but I really appreciate the standalones before Scarlett was ankle-chained forever to FTM. Now I love those too, don't get me wrong, but finding SB as a set-closer (this one), or somewhere between others songs in a long jam (check her out on 15 June 1976 in between Sugar Mag and SSDD) gave it a lot of freedom that somehow got lost later on. Just sayin'.
Pretty Peggy O
July 16, 1976
Orpheum Theatre

Really should be higher. This has a strong pulse, sweet soloing, and a powerful rocking feel.
Brown Eyed Women
July 16, 1976
Orpheum Theatre

You can hear them develop a new sound for this song on both this one and the version from the 14th. There's no other way to describe it, but it's the first real indication to my ear of where they'd be by the beginning of '77, more crisp, more clean, and much more polished.
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