headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49652


Submissions

5
Uncle John's Band
Sept. 30, 1972
American University

Hard rock outro makes this one jaw-clenchingly good. Jamming like that in 7/4 is just awesome.
3
Mississippi Halfstep Uptown Toodeloo
Sept. 30, 1972
American University

Loose in places, but full of joy.
2
Sugaree
Sept. 30, 1972
American University

Hard swaggering version from a sweet, if not often overlooked show capping off one of the great months in Dead history.
4
Mississippi Halfstep Uptown Toodeloo
Sept. 26, 1972
Stanley Theatre

Jerry channels George Harrison like nobody's business. The solo at 2:45 gently weeps, guys. Check it out.
7
You Win Again
Sept. 26, 1972
Stanley Theatre

Perfect execution on this sweetheart of a tune.
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Comments

Cassidy
July 16, 1976
Orpheum Theatre

Thanks Darkstar67, you can alwaysI trust a Miller source. I'm giving this set another day's listening. This has got to be one of the best hidden 'off the beaten path' extended 2nd set jams ever, with over an hour from Playin' all the way to Around and Around continuous.
The Wheel
July 16, 1976
Orpheum Theatre

Much more powerful on the vocals than many of the others around this time. They really belt it out as an ensemble and it's brilliant. The whole 2nd set is jaw-dropping.
Scarlet Begonias
July 16, 1976
Orpheum Theatre

Just sublime. An absolute punch-up beeyute of a standalone Scarlet. I know this is sacrilege to some of you, but I really appreciate the standalones before Scarlett was ankle-chained forever to FTM. Now I love those too, don't get me wrong, but finding SB as a set-closer (this one), or somewhere between others songs in a long jam (check her out on 15 June 1976 in between Sugar Mag and SSDD) gave it a lot of freedom that somehow got lost later on. Just sayin'.
Pretty Peggy O
July 16, 1976
Orpheum Theatre

Really should be higher. This has a strong pulse, sweet soloing, and a powerful rocking feel.
Brown Eyed Women
July 16, 1976
Orpheum Theatre

You can hear them develop a new sound for this song on both this one and the version from the 14th. There's no other way to describe it, but it's the first real indication to my ear of where they'd be by the beginning of '77, more crisp, more clean, and much more polished.
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