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Carrion_Crow

Stealth Head

+49652


Submissions

1
Monkey and the Engineer
Nov. 7, 1970
Capital Theater

Sweet fun in a gorgeous acoustic set. Clapalong crowd adds to the joy.
2
El Paso
Nov. 7, 1970
Capital Theater

Slow waltz tempo. Bobby's voice gorgeous, Jerry's cantina filigree perfect. A perfect gem. AUD quality B-.
1
Deep Elem Blues
Nov. 6, 1970
Capitol Theater

Whoa sweet mama! Back to this show and every note seems worth a shoutout.
1
Turn On Your Love Light
Nov. 5, 1970
Capitol Theater

Pigpen gets a woman pregnant on stage. Rough AUD but utterly worth it. The jam starting around 16:00 is very hot.
4
The Other One
Oct. 31, 1970
School Gymnasium, S.U.N.Y.

A barnburner that suffers a bit from compressed sound quality (and a mic. problem), but still hot & worth a spin. Cryptical outro gets going nicely.

Comments

Cassidy
July 16, 1976
Orpheum Theatre

Thanks Darkstar67, you can alwaysI trust a Miller source. I'm giving this set another day's listening. This has got to be one of the best hidden 'off the beaten path' extended 2nd set jams ever, with over an hour from Playin' all the way to Around and Around continuous.
The Wheel
July 16, 1976
Orpheum Theatre

Much more powerful on the vocals than many of the others around this time. They really belt it out as an ensemble and it's brilliant. The whole 2nd set is jaw-dropping.
Scarlet Begonias
July 16, 1976
Orpheum Theatre

Just sublime. An absolute punch-up beeyute of a standalone Scarlet. I know this is sacrilege to some of you, but I really appreciate the standalones before Scarlett was ankle-chained forever to FTM. Now I love those too, don't get me wrong, but finding SB as a set-closer (this one), or somewhere between others songs in a long jam (check her out on 15 June 1976 in between Sugar Mag and SSDD) gave it a lot of freedom that somehow got lost later on. Just sayin'.
Pretty Peggy O
July 16, 1976
Orpheum Theatre

Really should be higher. This has a strong pulse, sweet soloing, and a powerful rocking feel.
Brown Eyed Women
July 16, 1976
Orpheum Theatre

You can hear them develop a new sound for this song on both this one and the version from the 14th. There's no other way to describe it, but it's the first real indication to my ear of where they'd be by the beginning of '77, more crisp, more clean, and much more polished.