headyversion

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Carrion_Crow

Stealth Head

+49667


Submissions

4
Easy Wind
July 12, 1970
Fillmore East

Great harp solo, solid smoldering jam. Pig's voice is brilliant.
5
Rosalie McFall
July 12, 1970
Fillmore East

A sweet and subtle acoustic gem, with some of the NRPS boys.
3
Katie Mae
July 12, 1970
Fillmore East

So deep. The crowd interaction is brilliant, and Pig just scoops everyone right up. The AUD funkiness just adds that extra depth.
3
Candyman
July 12, 1970
Fillmore East

One of the midnight shows that confuse historians, but one of the sweet-harmony Candymans that just slay me. No confusion there.
14
Dire Wolf
Dec. 19, 1973
Curtis Hixon Convention Hall

Distinctly slower groove than others, like they were trying something new with it. Does it work? Not sure, but an interesting take on it.
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Comments

Cassidy
July 16, 1976
Orpheum Theatre

Thanks Darkstar67, you can alwaysI trust a Miller source. I'm giving this set another day's listening. This has got to be one of the best hidden 'off the beaten path' extended 2nd set jams ever, with over an hour from Playin' all the way to Around and Around continuous.
The Wheel
July 16, 1976
Orpheum Theatre

Much more powerful on the vocals than many of the others around this time. They really belt it out as an ensemble and it's brilliant. The whole 2nd set is jaw-dropping.
Scarlet Begonias
July 16, 1976
Orpheum Theatre

Just sublime. An absolute punch-up beeyute of a standalone Scarlet. I know this is sacrilege to some of you, but I really appreciate the standalones before Scarlett was ankle-chained forever to FTM. Now I love those too, don't get me wrong, but finding SB as a set-closer (this one), or somewhere between others songs in a long jam (check her out on 15 June 1976 in between Sugar Mag and SSDD) gave it a lot of freedom that somehow got lost later on. Just sayin'.
Pretty Peggy O
July 16, 1976
Orpheum Theatre

Really should be higher. This has a strong pulse, sweet soloing, and a powerful rocking feel.
Brown Eyed Women
July 16, 1976
Orpheum Theatre

You can hear them develop a new sound for this song on both this one and the version from the 14th. There's no other way to describe it, but it's the first real indication to my ear of where they'd be by the beginning of '77, more crisp, more clean, and much more polished.
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