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Carrion_Crow

Stealth Head

+49622


Submissions

1
The Music Never Stopped
Sept. 27, 1976
Community War Memorial Auditorium

Note for note brilliant. Jerry is blazing over the band with one brilliant line after another. Great set capper.
1
Looks Like Rain
Sept. 27, 1976
Community War Memorial Auditorium

Solid emotionally charged version with a great balanced soundboard right as the Fall tour kicks into blistering hot gear.
5
Samson and Delilah
Sept. 24, 1976
William and Mary College Hall

Fall of '76 is peak time for Samsons, and this one just struts. Great feeling for this under-the-radar show.
4
Stella Blue
March 19, 1973
Nassau Coliseum

Peak musicianship and total communication of the band at one of their most telepathic moments as a group. Jerry's vox is sublime.
4
Brown Eyed Women
March 19, 1973
Nassau Coliseum

Pristine rendition, now audible with thanks to C.Miller. This is a peak era Dead, with new sounds and balance even in the straight rockers.
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Comments

Its All Over Now
April 30, 1977
The Palladium

Bobby's voice at the Palladium is just perfect and it adds even more to this honky-tonk two-steppin' version. There's something about his mic and mix at this period that brings out richer timbres and his natural melodiousness, not only his growls and howls. Let's give Bobby his due amongst all the other hyperbole about 'peak Dead' from the Spring of '77. This is simply bee-yoo-ti-ful, and with both Jerry and Donna harmonizing the out chorus it makes a case for best ever, for sure.
The Music Never Stopped
April 30, 1977
The Palladium

How new was Keith's synth technology in '77? Strings must have seemed like they came from Mars for the trippin' heads, the bug-eyed, and the two-dimensional.
Around and Around
April 29, 1977
The Palladium

Accelerando !!!! A c c c e l e r a n d o !!!!!!!!!!!
The Wheel
April 29, 1977
The Palladium

Jerry pops the clutch with a power chord to get this in gear before that semi- gets moving up the highway.
Goin' Down The Road Feelin' Bad
April 29, 1977
The Palladium

The transition is so beautiful. Not to be pedantic, but FoTM had just entered rotation and had only been played five times since being introduced just a month earlier. Scarlet had been played without Fire for all of '74-'76, so the heads would be gobsmacked by the brilliant transition, but not necessarily the cool pairing that we find anomolous today. There are some brilliant standalone versions of Scarlet out there: My favorite is probably June 9, 1976.
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