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Carrion_Crow

Stealth Head

+49622


Submissions

15
Mister Charlie
Aug. 7, 1971
Golden Hall

Jerry leans into it with a jaw-tighteningly crisp and high-voltage tone for a killer solo, though the group is a bit loose. Pigpen sounds amazing.
6
Rosalie McFall
Sept. 26, 1980
Warfield Theater

Absolute goodness. These shows are all so beautiful, the playing is all virtuoso, and the feeling is so positive. Brent here is especially perfect.
2
Dark Hollow
Sept. 26, 1980
Warfield Theater

Perfect. Bobby's silky voice, Gerry's understated but perfect picking, and Brent's barrelhouse honkytonk all on proud display.
1
The Other One
Sept. 23, 1976
Cameron Indoor Stadium, Duke U

Poor sound quality midway through, but its the first '76 set since the hiatus that goes off-the-rails weird, evoking the Wall of Sound era. Hot stuff.
2
Samson and Delilah
Sept. 23, 1976
Cameron Indoor Stadium, Duke U

Bobby tears it up, not just vocally, but through brilliant guitar work

Comments

Its All Over Now
April 30, 1977
The Palladium

Bobby's voice at the Palladium is just perfect and it adds even more to this honky-tonk two-steppin' version. There's something about his mic and mix at this period that brings out richer timbres and his natural melodiousness, not only his growls and howls. Let's give Bobby his due amongst all the other hyperbole about 'peak Dead' from the Spring of '77. This is simply bee-yoo-ti-ful, and with both Jerry and Donna harmonizing the out chorus it makes a case for best ever, for sure.
The Music Never Stopped
April 30, 1977
The Palladium

How new was Keith's synth technology in '77? Strings must have seemed like they came from Mars for the trippin' heads, the bug-eyed, and the two-dimensional.
Around and Around
April 29, 1977
The Palladium

Accelerando !!!! A c c c e l e r a n d o !!!!!!!!!!!
The Wheel
April 29, 1977
The Palladium

Jerry pops the clutch with a power chord to get this in gear before that semi- gets moving up the highway.
Goin' Down The Road Feelin' Bad
April 29, 1977
The Palladium

The transition is so beautiful. Not to be pedantic, but FoTM had just entered rotation and had only been played five times since being introduced just a month earlier. Scarlet had been played without Fire for all of '74-'76, so the heads would be gobsmacked by the brilliant transition, but not necessarily the cool pairing that we find anomolous today. There are some brilliant standalone versions of Scarlet out there: My favorite is probably June 9, 1976.