headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49637


Submissions

7
Around and Around
Sept. 26, 1972
Stanley Theatre

Usually a toss-off for me, and maybe it's Chuck Berry's passing that makes me think of it, but this version kicks serious ass. Deliberate and strong.
10
Bird Song
Sept. 26, 1972
Stanley Theatre

Crisp, articulate, deliberate. This is as strong a statement about what this song could be in '72 as I know. Airplay levels of concision.
7
Cold Rain and Snow
Sept. 26, 1972
Stanley Theatre

Always loved this one early in the first set, 'cause it meant the boys meant business. This one has a loose, comfortable sound, but with high energy.
8
Bertha
Sept. 24, 1972
Palace Theatre

Masterclass from the Philzone here. He tears this one up.
9
Loser
Sept. 24, 1972
Palace Theatre

Driven version. Purposeful, biting, and strong, with a high-tension wire energy. They meant business.
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Comments

Its All Over Now
April 30, 1977
The Palladium

Bobby's voice at the Palladium is just perfect and it adds even more to this honky-tonk two-steppin' version. There's something about his mic and mix at this period that brings out richer timbres and his natural melodiousness, not only his growls and howls. Let's give Bobby his due amongst all the other hyperbole about 'peak Dead' from the Spring of '77. This is simply bee-yoo-ti-ful, and with both Jerry and Donna harmonizing the out chorus it makes a case for best ever, for sure.
The Music Never Stopped
April 30, 1977
The Palladium

How new was Keith's synth technology in '77? Strings must have seemed like they came from Mars for the trippin' heads, the bug-eyed, and the two-dimensional.
Around and Around
April 29, 1977
The Palladium

Accelerando !!!! A c c c e l e r a n d o !!!!!!!!!!!
The Wheel
April 29, 1977
The Palladium

Jerry pops the clutch with a power chord to get this in gear before that semi- gets moving up the highway.
Goin' Down The Road Feelin' Bad
April 29, 1977
The Palladium

The transition is so beautiful. Not to be pedantic, but FoTM had just entered rotation and had only been played five times since being introduced just a month earlier. Scarlet had been played without Fire for all of '74-'76, so the heads would be gobsmacked by the brilliant transition, but not necessarily the cool pairing that we find anomolous today. There are some brilliant standalone versions of Scarlet out there: My favorite is probably June 9, 1976.
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