headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49652


Submissions

31
Cold Rain and Snow
Aug. 25, 1972
Berkeley Community Theatre

Kicks off arguably the best show of '72. Tight, fun, and rockin'. Great show opener.
3
Greatest Story Ever Told
Aug. 24, 1972
Berkeley Community Theatre

If this were any week in Dead history other than before Veneta, it would already have 20 votes. Give it a listen. The whole show rocks.
2
Me and My Uncle
Aug. 24, 1972
Berkeley Community Theatre

Keith's versatility from swooshing psychedelic soarer to a honky-tonk barrelhouse master is on full display.
5
Jack Straw
Aug. 24, 1972
Berkeley Community Theatre

Pretty much note for note perfect, like this whole show.
4
Sugaree
Aug. 24, 1972
Berkeley Community Theatre

Sweet rocker from this magical week of Dead perfection. Sleek and clean, this is a beaut of a version.
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Comments

Playin' In The Band
July 14, 1976
Orpheum Theatre

Deep and thick Playin' here. I'm going to say here that this show is under-appreciated. Maybe the history of low-fi tapes for the era has had an impact, but damn if this doesn't cook, and cook hard, regardless of how people dismiss '76 as one long opiate haze of slow tempos and sleepy grooves. Check it out, get into it. You'll love it, I swear.
Scarlet Begonias
July 14, 1976
Orpheum Theatre

Super fine yes, but chilled out? I'm not so sure... By '74 standards the whole year is chilled out, but this SB grooves hard and goes deep in for over 10 minutes. One of the best stand alone versions, for sure.
High Time
July 13, 1976
Orpheum Theatre

This is an absolute beauty. Good call. This show needs a bit more love, folks.
Let It Grow
July 13, 1976
Orpheum Theatre

Can't update the version that I submitted, but I can recommend that you heads get yer asses over to July 13, 1976 and give this one a spin. It has one of the tightest, musically coherent and spotless drum solos in LIG that I know, and the whole thing just lights everything around it on chemical fire.
Cassidy
July 13, 1976
Orpheum Theatre

Play this for anyone who still insists a) that '76 was a chronic drag; or that b) Donna didn't sing beautifully when mic'd and mixed correctly.
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