headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

2
Ramble On Rose
Oct. 23, 1971
Easttown Theatre

Solid, strident version. Bobby and Phil take on the rowdies with a cool rap after, too. Great first set all around.
1
Big Railroad Blues
Oct. 23, 1971
Easttown Theatre

Punk rock version, responding to an aggressive Detroit crowd. "Relax man, we don't respond to that shit" sez Jerry.
1
Jack Straw
Oct. 23, 1971
Easttown Theatre

Jumped up, pushing against the pulse. Seems like the rowdy crowd inspired our boys here. Gritty, almost aggressive vibe.
1
Sugaree
Oct. 23, 1971
Easttown Theatre

Strong pulse and Jerry giving it his all, vocally and instrumentally. Why doesn't this show have more love? Everything in the set is just slaying it.
1
Bertha
Oct. 23, 1971
Easttown Theatre

Hard driver kicking off the show with Billy firing on all 8 cylinders. Mixer laureate C. Miller gives us a gem here, good copy after 1:10 of FM warble
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Comments

Estimated Prophet
April 29, 1977
The Palladium

What Mercury said, plus this concert has Keith delivering the goods with great swooshing syth bits evoking the mental crack-up at the heart of the song and probably freaking out some of the more sensitive hippies in the crowd.
Brown Eyed Women
April 29, 1977
The Palladium

Thumpin' version. The backbeat is driving, but I can't help but find the disco beat incongruous with the depression-era lyrics at the heart of the song. That said, the ensemble vocals are just beautiful. Donna's accents are a glorious add.
Sugaree
April 29, 1977
The Palladium

Truly special. Keith is experimenting with what sounds like the 'strings' setting on the best a Moog could offer in 1977. The whole thing is a bit swimmy and mushy with the AUD quality adding to the brainfuzz, but the Keith/Jerry connection drives it ever spiraling upwards in a beautiful and unique jam.
Samson and Delilah
April 29, 1977
The Palladium

Bobby's voice is perfectly mic'd and mixed even though the only archive copy of this show is an AUD with muffled sound quality. Don't let that stop you though. The energy on this is off the charts, the soloing is dialed all the way in, and it's April '77 - so blazingly hot and peak Dead in all the ways.
Johnny B. Goode
March 23, 1975
Kezar Stadium

I love how they close out their first show back with a rocking rolling JBG after thirty minutes or so of mind-bending space travel through Blues for Allah and King Solomon's Marbles, just in case you forgot they were still the Grateful Dead during their hiatus.
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