headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

14
Wharf Rat
Oct. 16, 1974
Winterland Arena

Coming out of a 48 min jam to open the set, this one is like a small visitation before another huge jam>Eyes. A big epic indeed.
8
Playin' In The Band
Sept. 21, 1974
Palais Des Sports

Overlooked space-jazz masterwork. Mercurial and vast. Listen to it as the outcome of the Space before it and BANG! you're on a deep ride furthur.
6
Space
Sept. 21, 1974
Palais Des Sports

10mins of absolute weirdness. Incorrectly listed as Seastones - but Jerry, Keith and Billy are there with Phil and Ned. An outrageous corker. Scary.
4
Bertha
Sept. 21, 1974
Palais Des Sports

Show opener with mix off: not perfect but interesting to hear Phil/Bobby interplay (almost exclusively), which is rare for '74 recordings.
10
China Cat Sunflower -> I Know You Rider
Nov. 19, 1972
Hofheinz Pavilion

Uncategorizably brilliant transition jam. Sweet sweet Rider. Overshadowed by the immortal PITB that follows. Give a spin, it won't disappoint.
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Comments

Estimated Prophet
April 29, 1977
The Palladium

What Mercury said, plus this concert has Keith delivering the goods with great swooshing syth bits evoking the mental crack-up at the heart of the song and probably freaking out some of the more sensitive hippies in the crowd.
Brown Eyed Women
April 29, 1977
The Palladium

Thumpin' version. The backbeat is driving, but I can't help but find the disco beat incongruous with the depression-era lyrics at the heart of the song. That said, the ensemble vocals are just beautiful. Donna's accents are a glorious add.
Sugaree
April 29, 1977
The Palladium

Truly special. Keith is experimenting with what sounds like the 'strings' setting on the best a Moog could offer in 1977. The whole thing is a bit swimmy and mushy with the AUD quality adding to the brainfuzz, but the Keith/Jerry connection drives it ever spiraling upwards in a beautiful and unique jam.
Samson and Delilah
April 29, 1977
The Palladium

Bobby's voice is perfectly mic'd and mixed even though the only archive copy of this show is an AUD with muffled sound quality. Don't let that stop you though. The energy on this is off the charts, the soloing is dialed all the way in, and it's April '77 - so blazingly hot and peak Dead in all the ways.
Johnny B. Goode
March 23, 1975
Kezar Stadium

I love how they close out their first show back with a rocking rolling JBG after thirty minutes or so of mind-bending space travel through Blues for Allah and King Solomon's Marbles, just in case you forgot they were still the Grateful Dead during their hiatus.
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