headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49667


Submissions

13
The Other One
Dec. 10, 1971
Fox Theatre

An immortal. Very experimental, so many melodic fragments amongst the splintered cosmos - they pull a surprise out of the hat. Check it out.
13
Sitting on Top of the World
Dec. 10, 1971
Fox Theatre

Buried in the extraterrestrial outer reaches of an immortal TOO this emerges, brings a 'how's they do that?!' vibe then disappears back into chaos.
23
Truckin'
May 7, 1972
Bickershaw Festival

Smokin' hot show opener. The band is ultra tight and kick things off with force.
3
Black Throated Wind
Sept. 20, 1974
Palais Des Sports

Looser than 18.09.74, but more intense in its buildup and climax. Wait for it, it slow-rises then comes on like a tsunami.
14
China Doll
Sept. 18, 1974
Parc des Expositions

Sweet gossamer comedown nicely after the angular intensity of Eyes. Jerry's voice is smooth and lovely.

Comments

Estimated Prophet
April 29, 1977
The Palladium

What Mercury said, plus this concert has Keith delivering the goods with great swooshing syth bits evoking the mental crack-up at the heart of the song and probably freaking out some of the more sensitive hippies in the crowd.
Brown Eyed Women
April 29, 1977
The Palladium

Thumpin' version. The backbeat is driving, but I can't help but find the disco beat incongruous with the depression-era lyrics at the heart of the song. That said, the ensemble vocals are just beautiful. Donna's accents are a glorious add.
Sugaree
April 29, 1977
The Palladium

Truly special. Keith is experimenting with what sounds like the 'strings' setting on the best a Moog could offer in 1977. The whole thing is a bit swimmy and mushy with the AUD quality adding to the brainfuzz, but the Keith/Jerry connection drives it ever spiraling upwards in a beautiful and unique jam.
Samson and Delilah
April 29, 1977
The Palladium

Bobby's voice is perfectly mic'd and mixed even though the only archive copy of this show is an AUD with muffled sound quality. Don't let that stop you though. The energy on this is off the charts, the soloing is dialed all the way in, and it's April '77 - so blazingly hot and peak Dead in all the ways.
Johnny B. Goode
March 23, 1975
Kezar Stadium

I love how they close out their first show back with a rocking rolling JBG after thirty minutes or so of mind-bending space travel through Blues for Allah and King Solomon's Marbles, just in case you forgot they were still the Grateful Dead during their hiatus.