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Carrion_Crow

Stealth Head

+49667


Submissions

6
Brown Eyed Women
Dec. 31, 1971
Winterland Arena

Buzzing and crackling and just a wee bit manic. Early 1st set and the party is raging. Fun and wild.
20
High Time
Jan. 2, 1970
Fillmore East (Late Show)

Sublime and mysterious. A beauty.
7
Mama Tried
Jan. 2, 1970
Fillmore East (Late Show)

Perfect fun, with great organ work and the '70 sound. Pig says, "I'd thank you to not use no dirty words in the public" which cracks me up, too.
25
Caution
April 29, 1972
Musikhalle

Fast and relentless. This one has power behind it.
3
Black Peter
Dec. 29, 1969
Boston Tea Party

Deep and dark with strong emotional jams. Lots of great Peters around this time.

Comments

Estimated Prophet
April 29, 1977
The Palladium

What Mercury said, plus this concert has Keith delivering the goods with great swooshing syth bits evoking the mental crack-up at the heart of the song and probably freaking out some of the more sensitive hippies in the crowd.
Brown Eyed Women
April 29, 1977
The Palladium

Thumpin' version. The backbeat is driving, but I can't help but find the disco beat incongruous with the depression-era lyrics at the heart of the song. That said, the ensemble vocals are just beautiful. Donna's accents are a glorious add.
Sugaree
April 29, 1977
The Palladium

Truly special. Keith is experimenting with what sounds like the 'strings' setting on the best a Moog could offer in 1977. The whole thing is a bit swimmy and mushy with the AUD quality adding to the brainfuzz, but the Keith/Jerry connection drives it ever spiraling upwards in a beautiful and unique jam.
Samson and Delilah
April 29, 1977
The Palladium

Bobby's voice is perfectly mic'd and mixed even though the only archive copy of this show is an AUD with muffled sound quality. Don't let that stop you though. The energy on this is off the charts, the soloing is dialed all the way in, and it's April '77 - so blazingly hot and peak Dead in all the ways.
Johnny B. Goode
March 23, 1975
Kezar Stadium

I love how they close out their first show back with a rocking rolling JBG after thirty minutes or so of mind-bending space travel through Blues for Allah and King Solomon's Marbles, just in case you forgot they were still the Grateful Dead during their hiatus.