headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49677


Submissions

2
Candyman
July 30, 1970
The Matrix

Mysterious beauty under the B- sound quality (Phil sounds kinda like a tuba, which is cool). Beautiful vocal harmonies and break in the middle.
9
Truckin'
Aug. 24, 1972
Berkeley Community Theatre

Massive driving groove leading straight into one of the top DS of all time. My ears hear a flirt with NFBM jam that never quite hatches.
16
Uncle John's Band
June 30, 1974
Civic Center

Sweetness and light insight a wickedly melting Playin' sandwich. Pretty, gentle harmonies found somewhere out there the deep dark chaos. Tight sound.
8
Truckin'
June 30, 1974
Civic Center

Long exploratory solos, smouldering jams, cool interplay. Won't blow you off your chair but very inventive and interesting.
7
Space
June 30, 1974
Civic Center

Seastones: Completely wild and rises to a freaky climax. May cause brain blisters. Not for children.
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Comments

Estimated Prophet
April 29, 1977
The Palladium

What Mercury said, plus this concert has Keith delivering the goods with great swooshing syth bits evoking the mental crack-up at the heart of the song and probably freaking out some of the more sensitive hippies in the crowd.
Brown Eyed Women
April 29, 1977
The Palladium

Thumpin' version. The backbeat is driving, but I can't help but find the disco beat incongruous with the depression-era lyrics at the heart of the song. That said, the ensemble vocals are just beautiful. Donna's accents are a glorious add.
Sugaree
April 29, 1977
The Palladium

Truly special. Keith is experimenting with what sounds like the 'strings' setting on the best a Moog could offer in 1977. The whole thing is a bit swimmy and mushy with the AUD quality adding to the brainfuzz, but the Keith/Jerry connection drives it ever spiraling upwards in a beautiful and unique jam.
Samson and Delilah
April 29, 1977
The Palladium

Bobby's voice is perfectly mic'd and mixed even though the only archive copy of this show is an AUD with muffled sound quality. Don't let that stop you though. The energy on this is off the charts, the soloing is dialed all the way in, and it's April '77 - so blazingly hot and peak Dead in all the ways.
Johnny B. Goode
March 23, 1975
Kezar Stadium

I love how they close out their first show back with a rocking rolling JBG after thirty minutes or so of mind-bending space travel through Blues for Allah and King Solomon's Marbles, just in case you forgot they were still the Grateful Dead during their hiatus.
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