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Carrion_Crow

Stealth Head

+49617


Submissions

1
On The Road Again
May 7, 1981
Tomorrow Coast To Coast with Tom Synder

Sweet little number live and in color on the Tomorrow Show: https://www.youtube.com/watch?v=chADQBmosEQ
2
El Paso
April 22, 1977
The Spectrum

This EP is 'just exactly perfect'. Jerry's curlicue soloing over tight ensemble playing in a dramatic rising arc.
7
Me and My Uncle
Oct. 31, 1971
Ohio Theatre

Bobby puts on the snarling spiteful chaw and the band is lightning tight. The banter after is fun too.
3
Feedback
Jan. 25, 1969
Avalon Ballroom

Quite beautiful and melodic, surprisingly. Perfectly transitions from the outrageous chaos of Caution into the sweet soothing balm of an AWBYG.
1
El Paso
Feb. 27, 1977
Robertson Gym, UC Santa Barbara

Pared down and quiet, but also a tight ball of energy, ready to burst. Seems like this show doesn't get enough love.

Comments

Estimated Prophet
April 29, 1977
The Palladium

What Mercury said, plus this concert has Keith delivering the goods with great swooshing syth bits evoking the mental crack-up at the heart of the song and probably freaking out some of the more sensitive hippies in the crowd.
Brown Eyed Women
April 29, 1977
The Palladium

Thumpin' version. The backbeat is driving, but I can't help but find the disco beat incongruous with the depression-era lyrics at the heart of the song. That said, the ensemble vocals are just beautiful. Donna's accents are a glorious add.
Sugaree
April 29, 1977
The Palladium

Truly special. Keith is experimenting with what sounds like the 'strings' setting on the best a Moog could offer in 1977. The whole thing is a bit swimmy and mushy with the AUD quality adding to the brainfuzz, but the Keith/Jerry connection drives it ever spiraling upwards in a beautiful and unique jam.
Samson and Delilah
April 29, 1977
The Palladium

Bobby's voice is perfectly mic'd and mixed even though the only archive copy of this show is an AUD with muffled sound quality. Don't let that stop you though. The energy on this is off the charts, the soloing is dialed all the way in, and it's April '77 - so blazingly hot and peak Dead in all the ways.
Johnny B. Goode
March 23, 1975
Kezar Stadium

I love how they close out their first show back with a rocking rolling JBG after thirty minutes or so of mind-bending space travel through Blues for Allah and King Solomon's Marbles, just in case you forgot they were still the Grateful Dead during their hiatus.