headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49622


Submissions

4
King Bee
July 17, 1966
Fillmore Auditorium

Pig is in perfect form, the band throbs behind him with intensity and purpose. Pristine recording.
2
Cream Puff War
July 17, 1966
Fillmore Auditorium

A rip-snortin' wild ride. Not as stretched out as the day before, but still an explosive starting pistol at the earliest days of the Dead.
1
High Heeled Sneakers
June 1, 1966
Owsley's House (rehearsal)?

Rare and obscure, on the Archive at gd1966-06-01.136642.watts.sbd.mr.dat48k.sirmick.flac16
2
I Know You Rider
March 12, 1966
Danish Center

Still in its infancy, but listen to Jerry swarming all over it like ten thousand honey bees. Lightning fast, almost a "let's do this for 50 years".
3
Who Do You Love
March 9, 1966
Owsley's House (rehearsal)

Pig is on fire and the band revs to 6000 rpm. Jerry's tone is a shredding crisp fist full of razor blades.
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Comments

Estimated Prophet
April 29, 1977
The Palladium

What Mercury said, plus this concert has Keith delivering the goods with great swooshing syth bits evoking the mental crack-up at the heart of the song and probably freaking out some of the more sensitive hippies in the crowd.
Brown Eyed Women
April 29, 1977
The Palladium

Thumpin' version. The backbeat is driving, but I can't help but find the disco beat incongruous with the depression-era lyrics at the heart of the song. That said, the ensemble vocals are just beautiful. Donna's accents are a glorious add.
Sugaree
April 29, 1977
The Palladium

Truly special. Keith is experimenting with what sounds like the 'strings' setting on the best a Moog could offer in 1977. The whole thing is a bit swimmy and mushy with the AUD quality adding to the brainfuzz, but the Keith/Jerry connection drives it ever spiraling upwards in a beautiful and unique jam.
Samson and Delilah
April 29, 1977
The Palladium

Bobby's voice is perfectly mic'd and mixed even though the only archive copy of this show is an AUD with muffled sound quality. Don't let that stop you though. The energy on this is off the charts, the soloing is dialed all the way in, and it's April '77 - so blazingly hot and peak Dead in all the ways.
Johnny B. Goode
March 23, 1975
Kezar Stadium

I love how they close out their first show back with a rocking rolling JBG after thirty minutes or so of mind-bending space travel through Blues for Allah and King Solomon's Marbles, just in case you forgot they were still the Grateful Dead during their hiatus.
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