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Carrion_Crow

Stealth Head

+49637


Submissions

4
He's Gone
Aug. 12, 1972
Sacramento Memorial Auditorium

Sweet outro on this one. Donna's got the sweet harmony and Phil with the bass vox makes it pretty kind.
3
Me and My Uncle
Aug. 12, 1972
Sacramento Memorial Auditorium

MAMU is so often overlooked, but this one is hiding in plain sight. Hard jumpin' rocker here with a savage pulse, and great banter after.
4
Sugar Magnolia
July 26, 1972
Paramount Theater

After the ultra-outre Dark Star, this pure rock and roll distillate is just perfect goodness. A burner with Billy hard charging in 4-wheel drive.
5
You Win Again
July 26, 1972
Paramount Theater

Note for note perfect. The only reason it isn't here yet is that the shows between Europe and Berkeley/Veneta are too often overlooked.
1
Goin' Down The Road Feelin' Bad
July 25, 1972
Paramount Theater

Possibly the highest energy piece in the whole show. An excellent jam that left the crowd smiling, for certain.

Comments

Estimated Prophet
April 29, 1977
The Palladium

What Mercury said, plus this concert has Keith delivering the goods with great swooshing syth bits evoking the mental crack-up at the heart of the song and probably freaking out some of the more sensitive hippies in the crowd.
Brown Eyed Women
April 29, 1977
The Palladium

Thumpin' version. The backbeat is driving, but I can't help but find the disco beat incongruous with the depression-era lyrics at the heart of the song. That said, the ensemble vocals are just beautiful. Donna's accents are a glorious add.
Sugaree
April 29, 1977
The Palladium

Truly special. Keith is experimenting with what sounds like the 'strings' setting on the best a Moog could offer in 1977. The whole thing is a bit swimmy and mushy with the AUD quality adding to the brainfuzz, but the Keith/Jerry connection drives it ever spiraling upwards in a beautiful and unique jam.
Samson and Delilah
April 29, 1977
The Palladium

Bobby's voice is perfectly mic'd and mixed even though the only archive copy of this show is an AUD with muffled sound quality. Don't let that stop you though. The energy on this is off the charts, the soloing is dialed all the way in, and it's April '77 - so blazingly hot and peak Dead in all the ways.
Johnny B. Goode
March 23, 1975
Kezar Stadium

I love how they close out their first show back with a rocking rolling JBG after thirty minutes or so of mind-bending space travel through Blues for Allah and King Solomon's Marbles, just in case you forgot they were still the Grateful Dead during their hiatus.