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Carrion_Crow

Stealth Head

+49652


Submissions

2
Hard to Handle
Nov. 11, 1970
49th Street Rock Palace

Hot soloing and '71 levels of intensity. Listenable in spite of some tape wobble and distortion. Fun to watch H2H expanding during this era.
1
Deep Elem Blues
Nov. 9, 1970
Action House

Headphones only very rough AUD, but one of the rare electric funky Deep Elems. Historical rarity.
1
Morning Dew
Nov. 9, 1970
Action House

Pity about the C- sound quality, because a new tape of this would show us a real corker.
10
Good Lovin'
Nov. 8, 1970
Capitol Theater

Final jam in an enormous show. Just killer. Follows the one NRPS set you need to hear. Whatta world.
2
Brokedown Palace
Nov. 7, 1970
Capital Theater

Through the AUD fuzz and chatter comes a beautifully rendered vocal performance. Enjoy this hidden treasure.

Comments

Estimated Prophet
April 29, 1977
The Palladium

What Mercury said, plus this concert has Keith delivering the goods with great swooshing syth bits evoking the mental crack-up at the heart of the song and probably freaking out some of the more sensitive hippies in the crowd.
Brown Eyed Women
April 29, 1977
The Palladium

Thumpin' version. The backbeat is driving, but I can't help but find the disco beat incongruous with the depression-era lyrics at the heart of the song. That said, the ensemble vocals are just beautiful. Donna's accents are a glorious add.
Sugaree
April 29, 1977
The Palladium

Truly special. Keith is experimenting with what sounds like the 'strings' setting on the best a Moog could offer in 1977. The whole thing is a bit swimmy and mushy with the AUD quality adding to the brainfuzz, but the Keith/Jerry connection drives it ever spiraling upwards in a beautiful and unique jam.
Samson and Delilah
April 29, 1977
The Palladium

Bobby's voice is perfectly mic'd and mixed even though the only archive copy of this show is an AUD with muffled sound quality. Don't let that stop you though. The energy on this is off the charts, the soloing is dialed all the way in, and it's April '77 - so blazingly hot and peak Dead in all the ways.
Johnny B. Goode
March 23, 1975
Kezar Stadium

I love how they close out their first show back with a rocking rolling JBG after thirty minutes or so of mind-bending space travel through Blues for Allah and King Solomon's Marbles, just in case you forgot they were still the Grateful Dead during their hiatus.