headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49652


Submissions

4
Dire Wolf
Aug. 5, 1970
Golden Hall - San Diego Community Concourse

A little triumph here. Acoustic intimacy from a brilliant great of a show.
2
Mama Tried
Aug. 5, 1970
Golden Hall - San Diego Community Concourse

Like all your best friends sitting around the campfire, strumming and pickin' by starlight. Have a sip or a toke and enjoy....
4
Friend of the Devil
Aug. 5, 1970
Golden Hall - San Diego Community Concourse

Really lovely here, part of one of the warmest, most intimate acoustic sets of 1970.
3
Not Fade Away
July 16, 1970
Euphoria Ballroom

Jerry and Bob bite down hard and tear into this one with muscle. Their interplay lightens up and whoops! We find ourselves in Stephen.
3
Candyman
July 16, 1970
Euphoria Ballroom

Anthemic beauty. Great ensemble singing and powerful pacing to it. Then Janis steps on stage for Love Light, so there's that.

Comments

Estimated Prophet
April 29, 1977
The Palladium

What Mercury said, plus this concert has Keith delivering the goods with great swooshing syth bits evoking the mental crack-up at the heart of the song and probably freaking out some of the more sensitive hippies in the crowd.
Brown Eyed Women
April 29, 1977
The Palladium

Thumpin' version. The backbeat is driving, but I can't help but find the disco beat incongruous with the depression-era lyrics at the heart of the song. That said, the ensemble vocals are just beautiful. Donna's accents are a glorious add.
Sugaree
April 29, 1977
The Palladium

Truly special. Keith is experimenting with what sounds like the 'strings' setting on the best a Moog could offer in 1977. The whole thing is a bit swimmy and mushy with the AUD quality adding to the brainfuzz, but the Keith/Jerry connection drives it ever spiraling upwards in a beautiful and unique jam.
Samson and Delilah
April 29, 1977
The Palladium

Bobby's voice is perfectly mic'd and mixed even though the only archive copy of this show is an AUD with muffled sound quality. Don't let that stop you though. The energy on this is off the charts, the soloing is dialed all the way in, and it's April '77 - so blazingly hot and peak Dead in all the ways.
Johnny B. Goode
March 23, 1975
Kezar Stadium

I love how they close out their first show back with a rocking rolling JBG after thirty minutes or so of mind-bending space travel through Blues for Allah and King Solomon's Marbles, just in case you forgot they were still the Grateful Dead during their hiatus.