headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49652


Submissions

7
Not Fade Away
June 4, 1970
Fillmore West

Spectacular thrashing jam. Jerry has an agressive metal sound that I like to call the "Dangerous Dead" from the era.
6
Attics of My Life
June 4, 1970
Fillmore West

For a song notoriously difficult to sing, this one comes of beautifully. June 6th is better, but good to hear them in sequence as the worked on it.
5
Friend of the Devil
June 4, 1970
Fillmore West

Hard to figure that this isn't here already: sweet acoustic intimacy and a clear '70 AUD that does it for me.
4
Candyman
June 4, 1970
Fillmore West

Intimate expression of this song's first, acoustic, right off the LP era. A bit slower, but great vocals and 3-part harmonies.
5
Deep Elem Blues
June 4, 1970
Fillmore West

Pure goodness. Warm AUD, intimate sound. This is the gold.
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Comments

Estimated Prophet
April 29, 1977
The Palladium

What Mercury said, plus this concert has Keith delivering the goods with great swooshing syth bits evoking the mental crack-up at the heart of the song and probably freaking out some of the more sensitive hippies in the crowd.
Brown Eyed Women
April 29, 1977
The Palladium

Thumpin' version. The backbeat is driving, but I can't help but find the disco beat incongruous with the depression-era lyrics at the heart of the song. That said, the ensemble vocals are just beautiful. Donna's accents are a glorious add.
Sugaree
April 29, 1977
The Palladium

Truly special. Keith is experimenting with what sounds like the 'strings' setting on the best a Moog could offer in 1977. The whole thing is a bit swimmy and mushy with the AUD quality adding to the brainfuzz, but the Keith/Jerry connection drives it ever spiraling upwards in a beautiful and unique jam.
Samson and Delilah
April 29, 1977
The Palladium

Bobby's voice is perfectly mic'd and mixed even though the only archive copy of this show is an AUD with muffled sound quality. Don't let that stop you though. The energy on this is off the charts, the soloing is dialed all the way in, and it's April '77 - so blazingly hot and peak Dead in all the ways.
Johnny B. Goode
March 23, 1975
Kezar Stadium

I love how they close out their first show back with a rocking rolling JBG after thirty minutes or so of mind-bending space travel through Blues for Allah and King Solomon's Marbles, just in case you forgot they were still the Grateful Dead during their hiatus.
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