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Carrion_Crow

Stealth Head

+49667


Submissions

8
High Time
Feb. 23, 1970
The Auditorium

Bliss. Feb. '70 is full of peak Dead. This doesn't disappoint.
5
Katie Mae
Feb. 14, 1970
Fillmore East

As beautiful as they come.
10
The Eleven
Feb. 14, 1970
Fillmore East

Why not here yet? This show has it all, and this Eleven just slays it. Balls out, high-energy jams from everyone.
3
Not Fade Away
Feb. 12, 1970
Ungano's Night Club

Like the night before, this just blazes with crackling electric fire. Great mix and channel separation with Bobby nice and clear helps. Overlooked.
5
St. Stephen
Feb. 12, 1970
Ungano's Night Club

Crisp recording with nicely mixed Bobby on separate channel = rare treat in this tight Stephen. Great show.

Comments

Estimated Prophet
April 29, 1977
The Palladium

What Mercury said, plus this concert has Keith delivering the goods with great swooshing syth bits evoking the mental crack-up at the heart of the song and probably freaking out some of the more sensitive hippies in the crowd.
Brown Eyed Women
April 29, 1977
The Palladium

Thumpin' version. The backbeat is driving, but I can't help but find the disco beat incongruous with the depression-era lyrics at the heart of the song. That said, the ensemble vocals are just beautiful. Donna's accents are a glorious add.
Sugaree
April 29, 1977
The Palladium

Truly special. Keith is experimenting with what sounds like the 'strings' setting on the best a Moog could offer in 1977. The whole thing is a bit swimmy and mushy with the AUD quality adding to the brainfuzz, but the Keith/Jerry connection drives it ever spiraling upwards in a beautiful and unique jam.
Samson and Delilah
April 29, 1977
The Palladium

Bobby's voice is perfectly mic'd and mixed even though the only archive copy of this show is an AUD with muffled sound quality. Don't let that stop you though. The energy on this is off the charts, the soloing is dialed all the way in, and it's April '77 - so blazingly hot and peak Dead in all the ways.
Johnny B. Goode
March 23, 1975
Kezar Stadium

I love how they close out their first show back with a rocking rolling JBG after thirty minutes or so of mind-bending space travel through Blues for Allah and King Solomon's Marbles, just in case you forgot they were still the Grateful Dead during their hiatus.