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Carrion_Crow

Stealth Head

+49667


Submissions

7
Goin' Down The Road Feelin' Bad
April 1, 1984
Marin County Veterans Auditorium

Steps out unexpectedly from an almost-aborted Miracle. Tight and right jamming.
6
Mexicali Blues
April 1, 1984
Marin County Veterans Auditorium

Jerry's restatements of the melody throughout his solos are brilliant uptempo marvels.
21
Playin' In The Band
June 14, 1976
Beacon Theatre

Beautiful, comprehensive statement of where Playin' was at in the beginning of the post-hiatus '76 sound. 20 minutes of love.
28
Might As Well
June 14, 1976
Beacon Theatre

Lotsa fun rocker with the louche touch becoming of the song. Did Donna ever sound better than Summer '76?
4
The Music Never Stopped
June 3, 1976
Paramount Theatre

This one's got the goods. Doesn't shred-out at the end, but tight playing, and great vocals all around.

Comments

Let It Grow
June 23, 1976
Tower Theatre

Powerful, forceful, fast, and precise. This is the type of LIG that I would just go nuts for as a young head. This one is just rip-roaring from word go, has a blistering drum solo a greased lightning re-entry before smoothing the way for cool jam into Cosmic Charlie. This kind of "under the radar" jam is perfect for the era: LiG>CosmicC then SS>NFA>SS? How often did they play that combination?
Lazy Lightnin' -> Supplication
June 23, 1976
Tower Theatre

One of the best from June '76.
Big River
June 23, 1976
Tower Theatre

Takes a lot to get me to vote for a Big River, but you've got to hear Keith and Jerry's double solos here. Just perfect.
The Music Never Stopped
June 23, 1976
Tower Theatre

Slightly mellower tempo than some of the wild barn-burners of the time, but this lends itself to a sharp and spiffy show opener with a beautiful swimming interlude vocal (Donna haters notwithstanding) and great crowd pleasing starter. Summer '76 was some brilliant peak Dead, rolling out their next act. Don't skip this one.
Playin' In The Band
June 22, 1976
Tower Theatre

How the Dead can be simultaneously so understated and mellow, yet so tweakingly far out and experimental is one the musical mysteries. This is just wild stuff - it has all the electric-Miles feel mentioned above, but it has that unmistakable high-speed, low-altitude cruising. Around minute 18, after the short proto-FTM jam, Jerry just takes off and skims the treetops. Freeform beauty ensues as they move towards The Wheel.