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Carrion_Crow

Stealth Head

+49667


Submissions

2
The Other One
Nov. 6, 1971
Harding Theater

This magnificent monster could easily be near the top for '71. The show has electrical problems in 1st set, but not here. Listen to it.
4
Sing Me Back Home
Nov. 6, 1971
Harding Theater

Show has a metallic twangy sound, to great effect here: turns this sweet tune into a hot industrial number.
3
Playin' In The Band
Nov. 6, 1971
Harding Theater

Goes into a "The Main Ten" jam at 3:05 typical of the first month or so with Keith. Plus Phil is going bananas back there.
4
Tennessee Jed
Nov. 6, 1971
Harding Theater

Jerry's bites down like an acid crocodile. Hot electric wires and sharp as a tack phrasing....
4
Sugaree
Nov. 6, 1971
Harding Theater

Listen past a few sound and static issues and you have a real beaut of a cruiser here. A solid doo-wop pulse gives it a different flavor too.a
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Comments

Let It Grow
June 23, 1976
Tower Theatre

Powerful, forceful, fast, and precise. This is the type of LIG that I would just go nuts for as a young head. This one is just rip-roaring from word go, has a blistering drum solo a greased lightning re-entry before smoothing the way for cool jam into Cosmic Charlie. This kind of "under the radar" jam is perfect for the era: LiG>CosmicC then SS>NFA>SS? How often did they play that combination?
Lazy Lightnin' -> Supplication
June 23, 1976
Tower Theatre

One of the best from June '76.
Big River
June 23, 1976
Tower Theatre

Takes a lot to get me to vote for a Big River, but you've got to hear Keith and Jerry's double solos here. Just perfect.
The Music Never Stopped
June 23, 1976
Tower Theatre

Slightly mellower tempo than some of the wild barn-burners of the time, but this lends itself to a sharp and spiffy show opener with a beautiful swimming interlude vocal (Donna haters notwithstanding) and great crowd pleasing starter. Summer '76 was some brilliant peak Dead, rolling out their next act. Don't skip this one.
Playin' In The Band
June 22, 1976
Tower Theatre

How the Dead can be simultaneously so understated and mellow, yet so tweakingly far out and experimental is one the musical mysteries. This is just wild stuff - it has all the electric-Miles feel mentioned above, but it has that unmistakable high-speed, low-altitude cruising. Around minute 18, after the short proto-FTM jam, Jerry just takes off and skims the treetops. Freeform beauty ensues as they move towards The Wheel.
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