headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49687


Submissions

4
Let It Grow
July 25, 1974
International Amphitheater

Tight and hot. Something in the vocals at this show went just perfect too, adding to the intensity.
6
Loser
July 25, 1974
International Amphitheater

Greatness in this one: Powerful ensemble vocals.
6
Space
July 21, 1974
Hollywood Bowl

Phil & Ned: By far the most compact and Space-like. Gargantuan Martian landscapes and insect-shaped UFOs. Sounds like Frippertronics. Heavy stuff.
4
Around and Around
July 21, 1974
Hollywood Bowl

Fully rockin' blowout to close a lovely summertime 1st set: Not my favorite song, but this one really kicks.
20
Let It Grow
July 19, 1974
Selland Arena

Mega-monster just dives into complete madness with a Phil solo for the ages and wild tweaking from all sides. Much fun.
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Comments

Let It Grow
June 23, 1976
Tower Theatre

Powerful, forceful, fast, and precise. This is the type of LIG that I would just go nuts for as a young head. This one is just rip-roaring from word go, has a blistering drum solo a greased lightning re-entry before smoothing the way for cool jam into Cosmic Charlie. This kind of "under the radar" jam is perfect for the era: LiG>CosmicC then SS>NFA>SS? How often did they play that combination?
Lazy Lightnin' -> Supplication
June 23, 1976
Tower Theatre

One of the best from June '76.
Big River
June 23, 1976
Tower Theatre

Takes a lot to get me to vote for a Big River, but you've got to hear Keith and Jerry's double solos here. Just perfect.
The Music Never Stopped
June 23, 1976
Tower Theatre

Slightly mellower tempo than some of the wild barn-burners of the time, but this lends itself to a sharp and spiffy show opener with a beautiful swimming interlude vocal (Donna haters notwithstanding) and great crowd pleasing starter. Summer '76 was some brilliant peak Dead, rolling out their next act. Don't skip this one.
Playin' In The Band
June 22, 1976
Tower Theatre

How the Dead can be simultaneously so understated and mellow, yet so tweakingly far out and experimental is one the musical mysteries. This is just wild stuff - it has all the electric-Miles feel mentioned above, but it has that unmistakable high-speed, low-altitude cruising. Around minute 18, after the short proto-FTM jam, Jerry just takes off and skims the treetops. Freeform beauty ensues as they move towards The Wheel.
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