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find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49767


Submissions

9
The Race Is On
June 24, 1973
Memorial Coliseum

Lovely mid-tempo ensemble singing with Bobby, Donna, and Jerry audible (Keith too?). Great driving bass and piano.
12
Big Railroad Blues
June 24, 1973
Memorial Coliseum

Fun, fast and loose in the joints.
24
They Love Each Other
June 24, 1973
Memorial Coliseum

Clear melodic jamming, fun and uptempo.
33
New Potato Caboose
Oct. 12, 1968
Avalon Ballroom

Starts with gongs and cymbals in the cosmic dust of an outrageous TOO>Cryptical, then gears up and goes supernova for over 20 minutes.
14
Me and Bobby McGee
April 29, 1971
Fillmore East

My new favourite version, and I never choose "favourites". Passionate perfect Bobby, the band so tight, Jer's perfect harmony, Phil driving it all.
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Comments

Let It Grow
June 23, 1976
Tower Theatre

Powerful, forceful, fast, and precise. This is the type of LIG that I would just go nuts for as a young head. This one is just rip-roaring from word go, has a blistering drum solo a greased lightning re-entry before smoothing the way for cool jam into Cosmic Charlie. This kind of "under the radar" jam is perfect for the era: LiG>CosmicC then SS>NFA>SS? How often did they play that combination?
Lazy Lightnin' -> Supplication
June 23, 1976
Tower Theatre

One of the best from June '76.
Big River
June 23, 1976
Tower Theatre

Takes a lot to get me to vote for a Big River, but you've got to hear Keith and Jerry's double solos here. Just perfect.
The Music Never Stopped
June 23, 1976
Tower Theatre

Slightly mellower tempo than some of the wild barn-burners of the time, but this lends itself to a sharp and spiffy show opener with a beautiful swimming interlude vocal (Donna haters notwithstanding) and great crowd pleasing starter. Summer '76 was some brilliant peak Dead, rolling out their next act. Don't skip this one.
Playin' In The Band
June 22, 1976
Tower Theatre

How the Dead can be simultaneously so understated and mellow, yet so tweakingly far out and experimental is one the musical mysteries. This is just wild stuff - it has all the electric-Miles feel mentioned above, but it has that unmistakable high-speed, low-altitude cruising. Around minute 18, after the short proto-FTM jam, Jerry just takes off and skims the treetops. Freeform beauty ensues as they move towards The Wheel.
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