headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49667


Submissions

4
Easy Wind
July 12, 1970
Fillmore East

Great harp solo, solid smoldering jam. Pig's voice is brilliant.
5
Rosalie McFall
July 12, 1970
Fillmore East

A sweet and subtle acoustic gem, with some of the NRPS boys.
3
Katie Mae
July 12, 1970
Fillmore East

So deep. The crowd interaction is brilliant, and Pig just scoops everyone right up. The AUD funkiness just adds that extra depth.
3
Candyman
July 12, 1970
Fillmore East

One of the midnight shows that confuse historians, but one of the sweet-harmony Candymans that just slay me. No confusion there.
14
Dire Wolf
Dec. 19, 1973
Curtis Hixon Convention Hall

Distinctly slower groove than others, like they were trying something new with it. Does it work? Not sure, but an interesting take on it.

Comments

Let It Grow
June 23, 1976
Tower Theatre

Powerful, forceful, fast, and precise. This is the type of LIG that I would just go nuts for as a young head. This one is just rip-roaring from word go, has a blistering drum solo a greased lightning re-entry before smoothing the way for cool jam into Cosmic Charlie. This kind of "under the radar" jam is perfect for the era: LiG>CosmicC then SS>NFA>SS? How often did they play that combination?
Lazy Lightnin' -> Supplication
June 23, 1976
Tower Theatre

One of the best from June '76.
Big River
June 23, 1976
Tower Theatre

Takes a lot to get me to vote for a Big River, but you've got to hear Keith and Jerry's double solos here. Just perfect.
The Music Never Stopped
June 23, 1976
Tower Theatre

Slightly mellower tempo than some of the wild barn-burners of the time, but this lends itself to a sharp and spiffy show opener with a beautiful swimming interlude vocal (Donna haters notwithstanding) and great crowd pleasing starter. Summer '76 was some brilliant peak Dead, rolling out their next act. Don't skip this one.
Playin' In The Band
June 22, 1976
Tower Theatre

How the Dead can be simultaneously so understated and mellow, yet so tweakingly far out and experimental is one the musical mysteries. This is just wild stuff - it has all the electric-Miles feel mentioned above, but it has that unmistakable high-speed, low-altitude cruising. Around minute 18, after the short proto-FTM jam, Jerry just takes off and skims the treetops. Freeform beauty ensues as they move towards The Wheel.