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Carrion_Crow

Stealth Head

+49667


Submissions

4
Long Black Limousine
Jan. 31, 1970
The Warehouse

Showcases their versatility: Switched mid-way through an electric set into this moody beauty after Phil's amp blew out. Gorgeous.
3
Hard to Handle
Jan. 31, 1970
The Warehouse

More like the great '71s than the others from 1970. A hard enough rocker that it apparently nuked Phil's amp, leading to a wonderful acoustic set.
10
Dire Wolf
Jan. 31, 1970
The Warehouse

Introduced as a "paranoid fantasy song", but oh so sweet for all that. Perfect rendition.
13
Not Fade Away
Oct. 3, 1976
Cobo Arena

Part of an epic jam, plus an enormous China Cat tease at 10:45 in a 5-year spell without them. Very interesting groove, too.
7
Mason's Children
Jan. 31, 1970
The Warehouse

For anyone with a soft spot for psychedelic bubblegum, the jam the shit out of this one. Ruff cut in the middle though.
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Comments

Let It Grow
June 23, 1976
Tower Theatre

Powerful, forceful, fast, and precise. This is the type of LIG that I would just go nuts for as a young head. This one is just rip-roaring from word go, has a blistering drum solo a greased lightning re-entry before smoothing the way for cool jam into Cosmic Charlie. This kind of "under the radar" jam is perfect for the era: LiG>CosmicC then SS>NFA>SS? How often did they play that combination?
Lazy Lightnin' -> Supplication
June 23, 1976
Tower Theatre

One of the best from June '76.
Big River
June 23, 1976
Tower Theatre

Takes a lot to get me to vote for a Big River, but you've got to hear Keith and Jerry's double solos here. Just perfect.
The Music Never Stopped
June 23, 1976
Tower Theatre

Slightly mellower tempo than some of the wild barn-burners of the time, but this lends itself to a sharp and spiffy show opener with a beautiful swimming interlude vocal (Donna haters notwithstanding) and great crowd pleasing starter. Summer '76 was some brilliant peak Dead, rolling out their next act. Don't skip this one.
Playin' In The Band
June 22, 1976
Tower Theatre

How the Dead can be simultaneously so understated and mellow, yet so tweakingly far out and experimental is one the musical mysteries. This is just wild stuff - it has all the electric-Miles feel mentioned above, but it has that unmistakable high-speed, low-altitude cruising. Around minute 18, after the short proto-FTM jam, Jerry just takes off and skims the treetops. Freeform beauty ensues as they move towards The Wheel.
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