headyversion

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Carrion_Crow

Stealth Head

+49667


Submissions

2
Candyman
April 9, 1970
Fillmore West

2nd one ever, and doesn't flow perfectly yet. They're working out the lovely 3-part harmonies and it's just fantastic transitional Dead.
1
Deep Elem Blues
April 9, 1970
Fillmore West

Sweetness in the '70 acoustic key. Confusing setlist/archive on this show, but worth a listen.
5
Mama Tried
Feb. 14, 1970
Fillmore East

In spite of a bit of tape wobble, this is an otherwise pristine version, with everyone keyed up right. A tight solo and a fun time.
5
Friend of the Devil
April 3, 1970
Field House, U. of Cincinnati

Fast acoustic pickin' with alternative lyrics. Sounds almost like a 12-string in places. Is that possible?
6
St. Stephen
March 24, 1970
Pirates World

All the power and, let's admit it AMBIVALENCE by our boys is on here. They flub the lyrics but bigbang the jam. We are the answer to the answer, man.
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Comments

Playin' In The Band
June 19, 1976
Capitol Theatre

Bobby mangles the lyrics from the first moment - almost comically, but that's all good. What follows is a mysterious exploration of space and chaos with that cool understatement of the era.
Samson and Delilah
June 19, 1976
Capitol Theatre

This Summer tour is full of the most strident and forceful Samsons that bring out the gospel origins. I honestly never gave too much thought to this song whenever I saw them play it (mid-late 80s) but these earlier ones are so full of strut and swagger, they're show highlights. Excellent version here.
Cassidy
June 19, 1976
Capitol Theatre

Perfect. This and the BEW before it sound like so much of a preview of what they'd be developing in '77.
Brown Eyed Women
June 19, 1976
Capitol Theatre

I bet if you played this for 50 heads, 49 would think it sounded like a '77. There's something pristine and crisp and tight about it. It may be the first indication of where they were heading. Great choice.
Help On The Way > Slipknot > Franklin's Tower
June 19, 1976
Capitol Theatre

Shaolindarkstar said it right. All my words condensed to "THE OMNIPOTENT GRATEFUL DEAD". The Slipknot is mellow but somehow blazing hot. And the Franklin's finds a deep pocket and comes out note for note perfect. God, I love the '76 sound.
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