Been listening to this every chance I can all week. The band's so tight, Bobby's singing passionate and precise, Jer's musicality soaring. Amazing.

Exhuberent and triumphant. Closes out one hellofa 2nd set and kicks like a rocket.

Sweet and subtle: A beautiful come down after the muscular peak Eyes - but the set isn't done and they ramp it up again for more. A gem of a show.

Interrupted by bad fight in front of the stage. Phil goes bonkers, calls the security guard "Asshole". Weird scene/bad vibes.

Keith on organ just kills it. He's hot in the mix and the song has a totally different feel for it. Show overshadowed by Nov.-Dec. '73 but worth it.

The transition from LIG is just brilliant. Jerry won't let go and kicks into it like nobody's business. What follows is Grateful Dead magic. This whole show is an under-the-radar masterpiece.

Fast and furious. Cut loose from the full suite, these Summer '76ers are greased lightning. Cool to hear it here as part of an expansive (but not interstellar) 2nd set full of great jams and tight arrangements. The transition into Wharf Rat is a thing of beautiful mystery, with Jerry hanging on to the jam well into the first minute of WR.

Too easily overlooked as a Bobby toss-away in the later years, this song has deep gospel pedigree. These early ones come blazing out like you best-be-goin'-to-church. This is a terribly underrated verison, killing it with the muscle and strut of the man in the song.

Endless energy! That's how. Endless creative and extra-sensory perceptive musical high-level energy. They're operating here across the electro-magnetic spectrum, drawing current from some cosmonautic source I've only glimpsed whispers of, seen in flashbang seconds of color, or whatnot. That's how, brother Glyn, that's how. But plus, if you want a cool study of how they picked up a thread and moved with it, compare this Dancin' with the ones later in the year (Sept.-Oct.) for a great taste of rapid-action evolution. Here they're still working out the form, hinting and ducking and weaving around the electric slide section. It's cool to hear them thinking in realtime.

Oh baby, that's a nice Scarlett, full of sweetness and light, lovely lady sounds whispered gently from within the backlighting, plus a dreamy creamy bubble-up-to-the-surface jam that just caresses. The Scarlett-without-FTM may be an acquired taste for some, but give this one a listen, let it take you awayyyyyyyy.