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Carrion_Crow

Stealth Head

+49687


Submissions

5
Big Boss Man
April 17, 1971
Dillon Gym

Great harp work from Pigpen, who's voice was still strong and full of blues: Great crunchy jamming from the band.
3
Alligator
Nov. 11, 1967
Shrine Auditorium

With the power to blast you out of your chair. Watch your dose, it's that strong.
8
Cryptical Envelopment
Nov. 11, 1967
Shrine Auditorium

Any question's about primal Dead? Answer's right here in the outro of this psychedelic monster. A really hard core brainmelter, this.
5
Black Throated Wind
Sept. 10, 1972
Hollywood Palladium

Has it all. Builds and builds up to a great peak with Jer and Keith playing all out behind a great Bobby performance.
10
Me and Bobby McGee
Feb. 18, 1971
Capitol Theater

Maybe I'm the only Head out there who digs this song, but damn if this isn't a beauty. Tight harmonies and a good-times feeling.

Comments

Cassidy
June 17, 1976
Capitol Theater

Thank you John Perry, you've brought endless joy with your art. This was one of your masterpieces, and it's been in my head every day when I wake up for a week now. I'm writing this just after learning about your passing, and just want to listen to Bobby sing your words all day. "Catch-colt draws the coffin cart" indeed, indeed.
Cold Rain and Snow
June 17, 1976
Capitol Theater

Always my favorite show opener. It would just put a smile on everyone's face and let you know the boys had some grit in them. This one is sweet and mellow with a devilish strong backbeat pushing it forward and the delicious harmonies that make '76 so special.
Stella Blue
June 15, 1976
Beacon Theatre

The intro almost sounds like they were going into a jam before the melody. It's one of the slowest ones to date, but doesn't really drag. Instead it becomes atmospheric and floating, almost like a Stella Blue in the form of a vapor or fragmented images out of SB dream. Jerry does get you there in the end: The final minute of the solo is the definition of "epic heady".
St. Stephen
June 15, 1976
Beacon Theatre

Really special version. Sort of just emerges to the audience's great joy. Moves into a unique NFA too. Great way to open the set.
Bertha
May 9, 1977
War Memorial

Might come as a surprise for fans of the classic off-to-the-races, running from the law show opener we all know and love, but this one is unique to my ears and worth all the love. Sorry Donnie, but they looooooved messing with expectations of what "should be" and was "supposed to be" this way or that. And why not shift the tempo down and try it as a mellow shuffle? Don't like it that way, switch it up and try it as a country carnaval again.... Was Good Lovin' "supposed" to be Pigpen's blues or Bobby's Caribbean-lite dance and clap-along on the very next song? Or maybe shifting expectations was the name of the game after all? C'mon man, ease up.