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find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49652


Submissions

1
Brown Eyed Women
Nov. 13, 1972
Soldiers and Sailors Memorial Hall

The Bear tape is a bit over-saturated, but the band is just killing it from all corners. Don't pass this one up out of aud-o-phobia.
3
China Cat Sunflower -> I Know You Rider
Nov. 13, 1972
Soldiers and Sailors Memorial Hall

Look for the Bear recording, which is the proper speed: You'll find a killer version with an explosive transition than just soars.
1
Loser
Nov. 13, 1972
Soldiers and Sailors Memorial Hall

Jerry's diamond hard-edged tone slices and slashes achingly, hauntingly, and clear desperado mode.
5
Bird Song
Nov. 12, 1972
Soldiers' and Sailors' Memorial Hall

Just Jerry, Phil, and Bobby are audible in this weird tape - but what a study of their communication. Worth a listen for that alone.
2
Deal
Nov. 12, 1972
Soldiers' and Sailors' Memorial Hall

Channels missing in the SBD (no keys, quite vocals), but if you want to study just Jerry's solo, (and it's a killer one), then give this a spin.

Comments

Franklin's Tower
May 9, 1977
War Memorial

HSF show opener, May '77, what do guess happens next? The band is at peak tightness - with an especially switched on Phil somehow being both whitewater and raft throughout this excellent suite. The reason this probably hasn't shot up higher is that Jerry triplefucks the lyric. It doesn't break his stride at all, but that's the one flaw in the diamond.
Cassidy
June 15, 1976
Beacon Theatre

Summer '76 definitely brought out the best in Bobby and Donna as a vocal duo; and this early run also showcases Keith in his endlessly inventive cascading glory. This is a great version (alright, there are a few loose in the joints transitions, but it's the GD we're listening too, not Glenn Gould) that should have more than 2 votes!
Around and Around
June 14, 1976
Beacon Theatre

Funny moment where half the band goes into double time a chorus before the other half. A lesser band would have trainwrecked, but they pulled it together in the end. Cool slower version, though.
High Time
June 14, 1976
Beacon Theatre

This isn't just about the passionate vocals, but about the tremendous ensemble playing. Keith delivers perfect accents, the intensity swells and fades at brilliant moments, and Donna's sweet touches make this one unforgettable.
Lazy Lightnin' -> Supplication
June 14, 1976
Beacon Theatre

This is so hot. How this band jammed in 7/4 with such liquid flow is mind-boggling. Any musicians out there can confirm: It's an unforgiving time signature. Here they make it seem as easy as breathing, inspired and driven, and as wild as the lightning adrenaline Bobby's singing about.