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find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

3
China Cat Sunflower -> I Know You Rider
Oct. 23, 1970
McDonough Arena - Georgetown University

Fun, tight version with great energy and tight vocals. Fun stuff.
1
Hard to Handle
Oct. 23, 1970
McDonough Arena - Georgetown University

Begins sounding like the epic hard charging beast it becomes over the next months.
2
Not Fade Away
Oct. 17, 1970
Cleveland Music Hall

The NFA>GDTRFB>NFA sequence in its infancy: 3rd time played, and remarkably smooth and perfect transitions with exuberant jamming.
3
The Other One
Oct. 17, 1970
Cleveland Music Hall

Super-charged hard rocker here. Hits all the 1970 highlights, with power and precision: a white knuckler. Tape is rough AUD, w/ C. Miller cleanup.
2
Hurts Me Too
Oct. 17, 1970
Cleveland Music Hall

One of Pig's best: Perfect vox, great harp solo. Jerry too. Some tape issues, but thanx Mr. Miller... thanks a lot.

Comments

Franklin's Tower
May 9, 1977
War Memorial

HSF show opener, May '77, what do guess happens next? The band is at peak tightness - with an especially switched on Phil somehow being both whitewater and raft throughout this excellent suite. The reason this probably hasn't shot up higher is that Jerry triplefucks the lyric. It doesn't break his stride at all, but that's the one flaw in the diamond.
Cassidy
June 15, 1976
Beacon Theatre

Summer '76 definitely brought out the best in Bobby and Donna as a vocal duo; and this early run also showcases Keith in his endlessly inventive cascading glory. This is a great version (alright, there are a few loose in the joints transitions, but it's the GD we're listening too, not Glenn Gould) that should have more than 2 votes!
Around and Around
June 14, 1976
Beacon Theatre

Funny moment where half the band goes into double time a chorus before the other half. A lesser band would have trainwrecked, but they pulled it together in the end. Cool slower version, though.
High Time
June 14, 1976
Beacon Theatre

This isn't just about the passionate vocals, but about the tremendous ensemble playing. Keith delivers perfect accents, the intensity swells and fades at brilliant moments, and Donna's sweet touches make this one unforgettable.
Lazy Lightnin' -> Supplication
June 14, 1976
Beacon Theatre

This is so hot. How this band jammed in 7/4 with such liquid flow is mind-boggling. Any musicians out there can confirm: It's an unforgiving time signature. Here they make it seem as easy as breathing, inspired and driven, and as wild as the lightning adrenaline Bobby's singing about.