headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49672


Submissions

4
Not Fade Away
April 7, 1971
Boston Music Hall

The jam before is listed as a controlled mind-altering substance in 92 countries, but its cut on the archive is the cruelest thing I know.
3
Casey Jones
April 7, 1971
Boston Music Hall

Intense, driving energy. Phil belts out the chorus like his life depends on it.
3
China Cat Sunflower -> I Know You Rider
April 7, 1971
Boston Music Hall

CCS is supremely tight, with a bit of that '69 magic sound to it, and IKYR rocks. Followed by a Stephen, so maybe some nostalgia? Sounds great.
2
Hard to Handle
April 4, 1971
Manhattan Center

Great 'Bobby segment', as his solo has come to be known. Whole show overshadowed by the outrageous monster the next day, but still great fun.
3
Sugar Magnolia
March 24, 1971
Winterland Arena

Actually one god-dammned hard rockin' blast-off: Uptempo and hardcore.

Comments

Mama Tried
June 14, 1976
Beacon Theatre

Uptempo and crackling with electric energy. This is another one to play any '76 skeptics out there who think everything was just too mellow!
Comes A Time
June 12, 1976
Music Hall

Gorgeous rising intensity. It's a bold move playing WR>CAT at the heart of the set. Both are slower, emotional ballads that can tip into funereal dirges if not fully charged up. They nail it here. The Rat is like seeing old friend, but the climax comes with the CAT. Dig it!
Looks Like Rain
June 12, 1976
Music Hall

Keith and Jerry combined release a soft torrent of warm rain across the soundscape. The beauty of this often-underrated song shines across this version.
Row Jimmy
June 12, 1976
Music Hall

Great slide work, and a nice take-your-time elegance to the whole number. "Not too fast and not too slow", indeed. Brilliant run, this set of Boston shows.
Stella Blue
June 11, 1976
Boston Music Hall

Go one better than the Betty Board and listen to the brand new (Oct. 2017) Charlie Miller clean-up. He's done us another solid boys and girls, and this show has quickly become one of my favorites from the great June '76 era. This Stella shows all the creative re-thinking that the band did during their time off: They're trying out subtle changes on the old repertoire, and introducing brilliant new songs, making the month one of the great under-the-radar eras of the band. This Stella is slower, but more deliberate, almost Black Peter-paced, and full of strong playing, great thoughtful jams, and a beautiful sound.