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Carrion_Crow

Stealth Head

+49707


Submissions

5
Wharf Rat
Feb. 20, 1971
Capitol Theater

3rd ever and it's a beauty. Show uneven at first, then comes together with Cryptical>TOO>Wharf for some righteous Dead, looking for their '71 sound.
26
Cumberland Blues
Aug. 6, 1971
Hollywood Palladium

Along with every other bit of this concert, raging good time energy and virtuouso groupmind, aided of course by one of the most ultimate AUDs ever.
38
Good Lovin'
April 8, 1972
Wembley Empire Pool

Stop everything you're doing and listen to this now. No really, do it. Now.
55
Playin' In The Band
April 8, 1972
Wembley Empire Pool

Something happens to Playing' in Europe. Check 'em out, one by one and watch it grow. This one is the bomb. Outrageous shredding.
11
Big River
Feb. 22, 1974
Winterland Arena

Listen to this, then listen again for Jerry's solo: Come back and tell me Big River is a "throw away" song, cause he damn-well tears it up here.
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Comments

Mama Tried
June 14, 1976
Beacon Theatre

Uptempo and crackling with electric energy. This is another one to play any '76 skeptics out there who think everything was just too mellow!
Comes A Time
June 12, 1976
Music Hall

Gorgeous rising intensity. It's a bold move playing WR>CAT at the heart of the set. Both are slower, emotional ballads that can tip into funereal dirges if not fully charged up. They nail it here. The Rat is like seeing old friend, but the climax comes with the CAT. Dig it!
Looks Like Rain
June 12, 1976
Music Hall

Keith and Jerry combined release a soft torrent of warm rain across the soundscape. The beauty of this often-underrated song shines across this version.
Row Jimmy
June 12, 1976
Music Hall

Great slide work, and a nice take-your-time elegance to the whole number. "Not too fast and not too slow", indeed. Brilliant run, this set of Boston shows.
Stella Blue
June 11, 1976
Boston Music Hall

Go one better than the Betty Board and listen to the brand new (Oct. 2017) Charlie Miller clean-up. He's done us another solid boys and girls, and this show has quickly become one of my favorites from the great June '76 era. This Stella shows all the creative re-thinking that the band did during their time off: They're trying out subtle changes on the old repertoire, and introducing brilliant new songs, making the month one of the great under-the-radar eras of the band. This Stella is slower, but more deliberate, almost Black Peter-paced, and full of strong playing, great thoughtful jams, and a beautiful sound.
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