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Carrion_Crow

Stealth Head

+49652


Submissions

4
Don't Ease Me In
Oct. 19, 1972
Fox Theatre

Sweet rocker here.
6
Promised Land
Oct. 18, 1972
Fox Theater

High energy, and remarkable that they could pull it off after an hour of continuous jamming. Great show all round.
8
Brown Eyed Women
Oct. 18, 1972
Fox Theater

In spite of equipment stalls the set really takes off here. Great Miller mix showcases Bobby in the left channel. Beautiful version.
17
Goin' Down The Road Feelin' Bad
Oct. 17, 1972
Fox Theatre

Keith is high in the mix and it's just brilliant. The NFA was a bit sloppy, but they nail the GDTRFB and the outro.
11
Don't Ease Me In
Oct. 17, 1972
Fox Theatre

Fast and loose, with great Keith barrelhouse fills. Jerry doesn't want to quit. Good fun.

Comments

Mama Tried
June 14, 1976
Beacon Theatre

Uptempo and crackling with electric energy. This is another one to play any '76 skeptics out there who think everything was just too mellow!
Comes A Time
June 12, 1976
Music Hall

Gorgeous rising intensity. It's a bold move playing WR>CAT at the heart of the set. Both are slower, emotional ballads that can tip into funereal dirges if not fully charged up. They nail it here. The Rat is like seeing old friend, but the climax comes with the CAT. Dig it!
Looks Like Rain
June 12, 1976
Music Hall

Keith and Jerry combined release a soft torrent of warm rain across the soundscape. The beauty of this often-underrated song shines across this version.
Row Jimmy
June 12, 1976
Music Hall

Great slide work, and a nice take-your-time elegance to the whole number. "Not too fast and not too slow", indeed. Brilliant run, this set of Boston shows.
Stella Blue
June 11, 1976
Boston Music Hall

Go one better than the Betty Board and listen to the brand new (Oct. 2017) Charlie Miller clean-up. He's done us another solid boys and girls, and this show has quickly become one of my favorites from the great June '76 era. This Stella shows all the creative re-thinking that the band did during their time off: They're trying out subtle changes on the old repertoire, and introducing brilliant new songs, making the month one of the great under-the-radar eras of the band. This Stella is slower, but more deliberate, almost Black Peter-paced, and full of strong playing, great thoughtful jams, and a beautiful sound.