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Carrion_Crow

Stealth Head

+49667


Submissions

4
Ain't It Crazy (The Rub)
July 12, 1970
Fillmore East

A mellow acoustic version unlike any I the others more known for being uptempo and somewhat aggressive. A rare treat.
2
Not Fade Away
July 11, 1970
Fillmore East

Vast and expansive, with hints of Mountain Jam peppered throughout and a brilliant tug-of-war over whether to go into TOO. Needs a cleanup.
2
Cold Jordan
July 11, 1970
Fillmore East

Sounds like Dave and Marmaduke came out mid-song to warm up for the NRPS set. Don't like acoustic AUD, don't bother. Like it? Oh baby, it's good.
1
Rosalie McFall
July 11, 1970
Fillmore East

First ever, and with 45 years between us and then, it's like a sweet whisper in AUD beauty. Real stuff here.
4
New Speedway Boogie
July 11, 1970
Fillmore East

Superb, a distant reach-out from the AUDmurk of time. A special treat here.
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Comments

Mama Tried
June 14, 1976
Beacon Theatre

Uptempo and crackling with electric energy. This is another one to play any '76 skeptics out there who think everything was just too mellow!
Comes A Time
June 12, 1976
Music Hall

Gorgeous rising intensity. It's a bold move playing WR>CAT at the heart of the set. Both are slower, emotional ballads that can tip into funereal dirges if not fully charged up. They nail it here. The Rat is like seeing old friend, but the climax comes with the CAT. Dig it!
Looks Like Rain
June 12, 1976
Music Hall

Keith and Jerry combined release a soft torrent of warm rain across the soundscape. The beauty of this often-underrated song shines across this version.
Row Jimmy
June 12, 1976
Music Hall

Great slide work, and a nice take-your-time elegance to the whole number. "Not too fast and not too slow", indeed. Brilliant run, this set of Boston shows.
Stella Blue
June 11, 1976
Boston Music Hall

Go one better than the Betty Board and listen to the brand new (Oct. 2017) Charlie Miller clean-up. He's done us another solid boys and girls, and this show has quickly become one of my favorites from the great June '76 era. This Stella shows all the creative re-thinking that the band did during their time off: They're trying out subtle changes on the old repertoire, and introducing brilliant new songs, making the month one of the great under-the-radar eras of the band. This Stella is slower, but more deliberate, almost Black Peter-paced, and full of strong playing, great thoughtful jams, and a beautiful sound.
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