headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49667


Submissions

2
Ramble On Rose
Oct. 23, 1971
Easttown Theatre

Solid, strident version. Bobby and Phil take on the rowdies with a cool rap after, too. Great first set all around.
1
Big Railroad Blues
Oct. 23, 1971
Easttown Theatre

Punk rock version, responding to an aggressive Detroit crowd. "Relax man, we don't respond to that shit" sez Jerry.
1
Jack Straw
Oct. 23, 1971
Easttown Theatre

Jumped up, pushing against the pulse. Seems like the rowdy crowd inspired our boys here. Gritty, almost aggressive vibe.
1
Sugaree
Oct. 23, 1971
Easttown Theatre

Strong pulse and Jerry giving it his all, vocally and instrumentally. Why doesn't this show have more love? Everything in the set is just slaying it.
1
Bertha
Oct. 23, 1971
Easttown Theatre

Hard driver kicking off the show with Billy firing on all 8 cylinders. Mixer laureate C. Miller gives us a gem here, good copy after 1:10 of FM warble

Comments

Help On The Way > Slipknot > Franklin's Tower
June 10, 1976
Boston Music Hall

Glad you like it darkstar67!
Playin' In The Band
June 10, 1976
Boston Music Hall

Hard to hear Jerry, but a brilliant deconstruction of Playin' here. It telegraphs the move into Dancin' a few times before definitively landing there. A fun if not obscure version. The whole show could use a serious re-mix and re-mastering to get Jerry's contribution at proper levels.
Friend of the Devil
June 10, 1976
Boston Music Hall

A Keith master class here: With Jerry really low in the mix you can get a different sense of what the rest of the band was doing. What they were doing was spectacular (you knew that), but Keith really shines here.
Help On The Way > Slipknot > Franklin's Tower
June 10, 1976
Boston Music Hall

Try the Tobin matrix or get the copy that circulated on nugs.net for a clearer Jerry sound. He is indeed too low for most of the Betty Board re-mix.
Mission in the Rain
June 10, 1976
Boston Music Hall

Like nearly everyone it seems, I love every (only five) GD version of this song. Back in tape-trading days this version was one of my first indications that there were 15 or so whole years of great music to tune in and turn on to before I got on the bus. That said... I've always felt that JGB was in fact the better vehicle for it. There's something so personal about the lyrics, and there always seemed something more restrained and delicate with the JGB versions. If you haven't groked them yet, check 'em out.