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Carrion_Crow

Stealth Head

+49667


Submissions

9
Not Fade Away
July 17, 1976
Orpheum Theatre

Smoldering hot and long jam capping a great 2nd set. The kind of jam you want to go on forever.
2
Beat it on Down The Line
Oct. 21, 1971
Auditorium Theatre

Listen in and hear exactly where Jerry's fingers achieve terminal velocity. Keith's first shows have manic wild energy, lots of fun.
7
The Other One
Oct. 19, 1971
Northrop Auditorium, U. of Minn.

Hard charging power here in 24 minutes of explosive dark matter. It's a massive oversight that this show hasn't been more widely appreciated.
7
Brokedown Palace
Oct. 19, 1971
Northrop Auditorium, U. of Minn.

Stunning. Beautiful harmonies, strong pulse, Keith roars in like they know in advance what he brings. Show needs more love.
2
Playin' In The Band
Oct. 19, 1971
Northrop Auditorium, U. of Minn.

Massive transitional masterpiece. 1st with Keith, and he's the missing ingredient that tips PiTB over the edge into its full glory. Great mix.

Comments

Help On The Way > Slipknot > Franklin's Tower
June 10, 1976
Boston Music Hall

Glad you like it darkstar67!
Playin' In The Band
June 10, 1976
Boston Music Hall

Hard to hear Jerry, but a brilliant deconstruction of Playin' here. It telegraphs the move into Dancin' a few times before definitively landing there. A fun if not obscure version. The whole show could use a serious re-mix and re-mastering to get Jerry's contribution at proper levels.
Friend of the Devil
June 10, 1976
Boston Music Hall

A Keith master class here: With Jerry really low in the mix you can get a different sense of what the rest of the band was doing. What they were doing was spectacular (you knew that), but Keith really shines here.
Help On The Way > Slipknot > Franklin's Tower
June 10, 1976
Boston Music Hall

Try the Tobin matrix or get the copy that circulated on nugs.net for a clearer Jerry sound. He is indeed too low for most of the Betty Board re-mix.
Mission in the Rain
June 10, 1976
Boston Music Hall

Like nearly everyone it seems, I love every (only five) GD version of this song. Back in tape-trading days this version was one of my first indications that there were 15 or so whole years of great music to tune in and turn on to before I got on the bus. That said... I've always felt that JGB was in fact the better vehicle for it. There's something so personal about the lyrics, and there always seemed something more restrained and delicate with the JGB versions. If you haven't groked them yet, check 'em out.