headyversion

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Carrion_Crow

Stealth Head

+49667


Submissions

1
Playin' In The Band
Aug. 23, 1971
Auditorium Theatre

Clanging and banging in all the right ways for the '71 sound. Has so much energy packed into it you can hear how it will explode over the next year.
6
Wharf Rat
Aug. 15, 1971
Berkeley Community Theater

Very serious, beautiful and magical jam. Should be up there with the top of them. Don't miss it.
5
China Cat Sunflower -> I Know You Rider
Aug. 15, 1971
Berkeley Community Theater

Virtuoso performance, the transition builds like a speeding river as it reaches a waterfall. There's a short tape gap in Rider, though, its all good.
4
Sugaree
Aug. 15, 1971
Berkeley Community Theater

Smooth and blissful rocker, followed by a very funny 4-second "White Rabbit" quote and conversation in response to a wacky head in the crowd.
3
Mister Charlie
Aug. 15, 1971
Berkeley Community Theater

Snarling and ballsy, complete with a hog snort in the pause after it. Pigpen got good and greased up for this show. Fun and loose.
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Comments

Help On The Way > Slipknot > Franklin's Tower
June 10, 1976
Boston Music Hall

Glad you like it darkstar67!
Playin' In The Band
June 10, 1976
Boston Music Hall

Hard to hear Jerry, but a brilliant deconstruction of Playin' here. It telegraphs the move into Dancin' a few times before definitively landing there. A fun if not obscure version. The whole show could use a serious re-mix and re-mastering to get Jerry's contribution at proper levels.
Friend of the Devil
June 10, 1976
Boston Music Hall

A Keith master class here: With Jerry really low in the mix you can get a different sense of what the rest of the band was doing. What they were doing was spectacular (you knew that), but Keith really shines here.
Help On The Way > Slipknot > Franklin's Tower
June 10, 1976
Boston Music Hall

Try the Tobin matrix or get the copy that circulated on nugs.net for a clearer Jerry sound. He is indeed too low for most of the Betty Board re-mix.
Mission in the Rain
June 10, 1976
Boston Music Hall

Like nearly everyone it seems, I love every (only five) GD version of this song. Back in tape-trading days this version was one of my first indications that there were 15 or so whole years of great music to tune in and turn on to before I got on the bus. That said... I've always felt that JGB was in fact the better vehicle for it. There's something so personal about the lyrics, and there always seemed something more restrained and delicate with the JGB versions. If you haven't groked them yet, check 'em out.
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