headyversion

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Carrion_Crow

Stealth Head

+49742


Submissions

3
China Cat Sunflower -> I Know You Rider
Sept. 20, 1973
The Spectrum

Solid smooth jamming on China Cat for a solid, beautiful 8 mins, including the FGJ. Rider has Phil high in the vocal mix, to a very nice effect.
2
Casey Jones
Sept. 17, 1973
Onondaga County War Memorial

Builds and builds and builds, faster hotter faster and hotter. The crowd goes wild (stage antics?) Something special was in the wind.
3
Looks Like Rain
Sept. 17, 1973
Onondaga County War Memorial

Who's playing the Theremin? There's definitely something odd going on here. Was Ned Lagin sitting in?
2
Loose Lucy
Sept. 17, 1973
Onondaga County War Memorial

Slower tempo gives this one a special feel. Jerry sings it with great gusto and a deeper bluesier feel then others. The whole ride is great fun.
4
Casey Jones
Nov. 11, 1978
Saturday Night Live

The band is having fun with it on live TV, even though squeezed into under 4 minutes: http://vimeo.com/35129207. Bobby slides over the disco beat.
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Comments

Help On The Way > Slipknot > Franklin's Tower
June 10, 1976
Boston Music Hall

Glad you like it darkstar67!
Playin' In The Band
June 10, 1976
Boston Music Hall

Hard to hear Jerry, but a brilliant deconstruction of Playin' here. It telegraphs the move into Dancin' a few times before definitively landing there. A fun if not obscure version. The whole show could use a serious re-mix and re-mastering to get Jerry's contribution at proper levels.
Friend of the Devil
June 10, 1976
Boston Music Hall

A Keith master class here: With Jerry really low in the mix you can get a different sense of what the rest of the band was doing. What they were doing was spectacular (you knew that), but Keith really shines here.
Help On The Way > Slipknot > Franklin's Tower
June 10, 1976
Boston Music Hall

Try the Tobin matrix or get the copy that circulated on nugs.net for a clearer Jerry sound. He is indeed too low for most of the Betty Board re-mix.
Mission in the Rain
June 10, 1976
Boston Music Hall

Like nearly everyone it seems, I love every (only five) GD version of this song. Back in tape-trading days this version was one of my first indications that there were 15 or so whole years of great music to tune in and turn on to before I got on the bus. That said... I've always felt that JGB was in fact the better vehicle for it. There's something so personal about the lyrics, and there always seemed something more restrained and delicate with the JGB versions. If you haven't groked them yet, check 'em out.
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