headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

7
Casey Jones
Oct. 31, 1971
Ohio Theatre

Like the Jack Straw earlier, they take a slower deliberate pace to create a new vibe. Here you can hear them jam with over the sound of a train. Cool.
10
Jack Straw
Oct. 31, 1971
Ohio Theatre

Strange, almost experimentally slower version with some problems, but different guitar lines. Almost a novelty.
14
Loser
Oct. 31, 1971
Ohio Theatre

Anthemic version with great chorus vocals. Could be the closing music for a great western movie.
2
Goin' Down The Road Feelin' Bad
Oct. 30, 1971
Taft Auditorium

The transition jam back to NFA is one of the trippiest, dreamy, paintbrushes of sound ones I know.
2
Truckin'
Oct. 30, 1971
Taft Auditorium

Our boys give in to the heckler and rip out a classic Truckin' here. Great rock and roll here with a punchy, aggressive vibe and great soloing.
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Comments

They Love Each Other
June 10, 1976
Boston Music Hall

Seems like the first one where they made slowness the musical objective. While I personally prefer the uptempo versions, this one highlights some of the subtlety and innuendo that sometimes got lost in the uptempo ones.
Sugaree
June 10, 1976
Boston Music Hall

Just what they said above: Here starts the great Sugaree surge. Keith's work here is tremendous, and signals where the thinking was on this song for the future.
Brown Eyed Women
June 9, 1976
Boston Music Hall

Beautiful ensemble singing and a pristine jam here.
St. Stephen
June 9, 1976
Boston Music Hall

Before the '76 Stephen slowed waaaaaaaaaaaaaaaaaay down, you have this brilliancy. Expanding to 11 minutes of thematic bell-ringing, followed by a tight re-entry. No secret that St. Stephen was a point of contention in the band's history, but I listen to this one and wonder why didn't they take this style further?
Ship of Fools
June 9, 1976
Boston Music Hall

The orchestration of this version brings out emotional arcs that were sometimes lost in later version that didn't have the crescendo-decrescendo of intensity characterized by this one. I know some folks found this song a snooze, but when I listen to this one I can hear a complicated, introspective piece that does it for me. Nice version.
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