headyversion

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Carrion_Crow

Stealth Head

+49667


Submissions

2
Ramble On Rose
Oct. 23, 1971
Easttown Theatre

Solid, strident version. Bobby and Phil take on the rowdies with a cool rap after, too. Great first set all around.
1
Big Railroad Blues
Oct. 23, 1971
Easttown Theatre

Punk rock version, responding to an aggressive Detroit crowd. "Relax man, we don't respond to that shit" sez Jerry.
1
Jack Straw
Oct. 23, 1971
Easttown Theatre

Jumped up, pushing against the pulse. Seems like the rowdy crowd inspired our boys here. Gritty, almost aggressive vibe.
1
Sugaree
Oct. 23, 1971
Easttown Theatre

Strong pulse and Jerry giving it his all, vocally and instrumentally. Why doesn't this show have more love? Everything in the set is just slaying it.
1
Bertha
Oct. 23, 1971
Easttown Theatre

Hard driver kicking off the show with Billy firing on all 8 cylinders. Mixer laureate C. Miller gives us a gem here, good copy after 1:10 of FM warble
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Comments

They Love Each Other
June 10, 1976
Boston Music Hall

Seems like the first one where they made slowness the musical objective. While I personally prefer the uptempo versions, this one highlights some of the subtlety and innuendo that sometimes got lost in the uptempo ones.
Sugaree
June 10, 1976
Boston Music Hall

Just what they said above: Here starts the great Sugaree surge. Keith's work here is tremendous, and signals where the thinking was on this song for the future.
Brown Eyed Women
June 9, 1976
Boston Music Hall

Beautiful ensemble singing and a pristine jam here.
St. Stephen
June 9, 1976
Boston Music Hall

Before the '76 Stephen slowed waaaaaaaaaaaaaaaaaay down, you have this brilliancy. Expanding to 11 minutes of thematic bell-ringing, followed by a tight re-entry. No secret that St. Stephen was a point of contention in the band's history, but I listen to this one and wonder why didn't they take this style further?
Ship of Fools
June 9, 1976
Boston Music Hall

The orchestration of this version brings out emotional arcs that were sometimes lost in later version that didn't have the crescendo-decrescendo of intensity characterized by this one. I know some folks found this song a snooze, but when I listen to this one I can hear a complicated, introspective piece that does it for me. Nice version.
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