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Carrion_Crow

Stealth Head

+49667


Submissions

5
Comes A Time
Oct. 19, 1971
Northrop Auditorium, U. of Minn.

1st version and Keith's 1st show. Jerry's voice is clear and full of meaning and remorse. Very beautiful.
4
Deep Elem Blues
Sept. 30, 1971
Studio

Unique as an electric funky blues. The only recording of it between 70 and 78 in a studio rehearsal. Pity this didn't go into rotation this way.
1
Jack Straw
Sept. 30, 1971
Studio

Historic oddity. Keith's rehearsal and three weeks before the first live version. Alternate lyrics, but fun. Some sound issues, tape wobble/speed.
1
Playin' In The Band
Sept. 30, 1971
Studio

Historic moment with Keith's rehearsals, so there's that. But there's also some magic here and they really bite into the groove. Some sound issues.
3
Sugar Magnolia
Aug. 26, 1971
Gaelic Park

Totally nuts. The jam is supernova material.

Comments

They Love Each Other
June 10, 1976
Boston Music Hall

Seems like the first one where they made slowness the musical objective. While I personally prefer the uptempo versions, this one highlights some of the subtlety and innuendo that sometimes got lost in the uptempo ones.
Sugaree
June 10, 1976
Boston Music Hall

Just what they said above: Here starts the great Sugaree surge. Keith's work here is tremendous, and signals where the thinking was on this song for the future.
Brown Eyed Women
June 9, 1976
Boston Music Hall

Beautiful ensemble singing and a pristine jam here.
St. Stephen
June 9, 1976
Boston Music Hall

Before the '76 Stephen slowed waaaaaaaaaaaaaaaaaay down, you have this brilliancy. Expanding to 11 minutes of thematic bell-ringing, followed by a tight re-entry. No secret that St. Stephen was a point of contention in the band's history, but I listen to this one and wonder why didn't they take this style further?
Ship of Fools
June 9, 1976
Boston Music Hall

The orchestration of this version brings out emotional arcs that were sometimes lost in later version that didn't have the crescendo-decrescendo of intensity characterized by this one. I know some folks found this song a snooze, but when I listen to this one I can hear a complicated, introspective piece that does it for me. Nice version.