headyversion

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Carrion_Crow

Stealth Head

+49677


Submissions

6
Good Lovin'
Aug. 26, 1971
Gaelic Park

Doesn't go into a cool rap, like some '71s, but pretty f-in tight jam and a great mix, with everyone sounding great.
11
Hard to Handle
Aug. 26, 1971
Gaelic Park

Last one with Pig: A blasting sexy swagger with slow rising force like the Palladium one up top here. Listen past the tape problems and slow start.
3
Big Railroad Blues
Aug. 26, 1971
Gaelic Park

As good an introduction to '71 as you'll ever hear. Someone else help me here or I'm going to list every song in this show!
3
Sugaree
Aug. 26, 1971
Gaelic Park

Still brand new (7th ever) and it's got a lot of pump to it. This whole show is a forgotten treasure. C. Miller cleanup much improves the others.
13
Bertha
Aug. 26, 1971
Gaelic Park

As sweet and solid as they come: Opens a wonderful summer outdoor show in NYC. Surprised it isn't here yet.
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Comments

They Love Each Other
June 10, 1976
Boston Music Hall

Seems like the first one where they made slowness the musical objective. While I personally prefer the uptempo versions, this one highlights some of the subtlety and innuendo that sometimes got lost in the uptempo ones.
Sugaree
June 10, 1976
Boston Music Hall

Just what they said above: Here starts the great Sugaree surge. Keith's work here is tremendous, and signals where the thinking was on this song for the future.
Brown Eyed Women
June 9, 1976
Boston Music Hall

Beautiful ensemble singing and a pristine jam here.
St. Stephen
June 9, 1976
Boston Music Hall

Before the '76 Stephen slowed waaaaaaaaaaaaaaaaaay down, you have this brilliancy. Expanding to 11 minutes of thematic bell-ringing, followed by a tight re-entry. No secret that St. Stephen was a point of contention in the band's history, but I listen to this one and wonder why didn't they take this style further?
Ship of Fools
June 9, 1976
Boston Music Hall

The orchestration of this version brings out emotional arcs that were sometimes lost in later version that didn't have the crescendo-decrescendo of intensity characterized by this one. I know some folks found this song a snooze, but when I listen to this one I can hear a complicated, introspective piece that does it for me. Nice version.
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