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Carrion_Crow

Stealth Head

+49707


Submissions

4
Sugaree
June 22, 1974
Jai-Alai Fronton

One of the (for me) rare versions of Sugaree that never drags, but keeps building and building with great intensity.
3
Dark Hollow
Nov. 6, 1970
Capitol Theater

Pure sweetness.
8
Jack A Roe
Nov. 17, 1978
Rambler Room

Great feeling and beautiful acoustic Dead harmonies at their best.
24
Knockin' On Heaven's Door
Nov. 17, 1978
Rambler Room

Gorgeous acoustic version in a superb gem of a concert. Jer's voice is perfect, the emotional arc soars. A mini masterpiece.
3
Space
Nov. 30, 1979
Stanley Theater

Wait for it, then run in fear from it. The boys had something ferocious in mind here.

Comments

They Love Each Other
June 10, 1976
Boston Music Hall

Seems like the first one where they made slowness the musical objective. While I personally prefer the uptempo versions, this one highlights some of the subtlety and innuendo that sometimes got lost in the uptempo ones.
Sugaree
June 10, 1976
Boston Music Hall

Just what they said above: Here starts the great Sugaree surge. Keith's work here is tremendous, and signals where the thinking was on this song for the future.
Brown Eyed Women
June 9, 1976
Boston Music Hall

Beautiful ensemble singing and a pristine jam here.
St. Stephen
June 9, 1976
Boston Music Hall

Before the '76 Stephen slowed waaaaaaaaaaaaaaaaaay down, you have this brilliancy. Expanding to 11 minutes of thematic bell-ringing, followed by a tight re-entry. No secret that St. Stephen was a point of contention in the band's history, but I listen to this one and wonder why didn't they take this style further?
Ship of Fools
June 9, 1976
Boston Music Hall

The orchestration of this version brings out emotional arcs that were sometimes lost in later version that didn't have the crescendo-decrescendo of intensity characterized by this one. I know some folks found this song a snooze, but when I listen to this one I can hear a complicated, introspective piece that does it for me. Nice version.