headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49712


Submissions

5
Wharf Rat
Feb. 20, 1971
Capitol Theater

3rd ever and it's a beauty. Show uneven at first, then comes together with Cryptical>TOO>Wharf for some righteous Dead, looking for their '71 sound.
26
Cumberland Blues
Aug. 6, 1971
Hollywood Palladium

Along with every other bit of this concert, raging good time energy and virtuouso groupmind, aided of course by one of the most ultimate AUDs ever.
38
Good Lovin'
April 8, 1972
Wembley Empire Pool

Stop everything you're doing and listen to this now. No really, do it. Now.
55
Playin' In The Band
April 8, 1972
Wembley Empire Pool

Something happens to Playing' in Europe. Check 'em out, one by one and watch it grow. This one is the bomb. Outrageous shredding.
11
Big River
Feb. 22, 1974
Winterland Arena

Listen to this, then listen again for Jerry's solo: Come back and tell me Big River is a "throw away" song, cause he damn-well tears it up here.
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Comments

They Love Each Other
June 10, 1976
Boston Music Hall

Seems like the first one where they made slowness the musical objective. While I personally prefer the uptempo versions, this one highlights some of the subtlety and innuendo that sometimes got lost in the uptempo ones.
Sugaree
June 10, 1976
Boston Music Hall

Just what they said above: Here starts the great Sugaree surge. Keith's work here is tremendous, and signals where the thinking was on this song for the future.
Brown Eyed Women
June 9, 1976
Boston Music Hall

Beautiful ensemble singing and a pristine jam here.
St. Stephen
June 9, 1976
Boston Music Hall

Before the '76 Stephen slowed waaaaaaaaaaaaaaaaaay down, you have this brilliancy. Expanding to 11 minutes of thematic bell-ringing, followed by a tight re-entry. No secret that St. Stephen was a point of contention in the band's history, but I listen to this one and wonder why didn't they take this style further?
Ship of Fools
June 9, 1976
Boston Music Hall

The orchestration of this version brings out emotional arcs that were sometimes lost in later version that didn't have the crescendo-decrescendo of intensity characterized by this one. I know some folks found this song a snooze, but when I listen to this one I can hear a complicated, introspective piece that does it for me. Nice version.
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