headyversion

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Carrion_Crow

Stealth Head

+49712


Submissions

4
The Eleven
March 30, 1968
Carousel Ballroom

The China Cat>The Eleven sequence was always very cool and this one burns hot and fast. Don't wanna just put all of 'em up here, but this is a cooker.
5
Dark Star
March 30, 1968
Carousel Ballroom

A short little gem: Nice clear solo ideas and tight ensemble playing with that bursting-at-the-seams energy from the Anthem era.
2
The Other One
March 30, 1968
Carousel Ballroom

It's '68 and the boys are on fire. This one pins you to the wall all its the sharp turns and jagged explosiveness. Hard pschedelic rock.
7
The Eleven
April 21, 1969
The Ark

So blisteringly hot. All three Ark '69 shows are brilliant, but this is the clearest example of their brilliance on Eleven.
4
Playin' In The Band
Dec. 15, 1971
Hill Auditorium

Just listened to it 4x in a row, something I never do. The whole intense Playin' universe packed into under 7min. Could be my favourite '71.
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Comments

They Love Each Other
June 10, 1976
Boston Music Hall

Seems like the first one where they made slowness the musical objective. While I personally prefer the uptempo versions, this one highlights some of the subtlety and innuendo that sometimes got lost in the uptempo ones.
Sugaree
June 10, 1976
Boston Music Hall

Just what they said above: Here starts the great Sugaree surge. Keith's work here is tremendous, and signals where the thinking was on this song for the future.
Brown Eyed Women
June 9, 1976
Boston Music Hall

Beautiful ensemble singing and a pristine jam here.
St. Stephen
June 9, 1976
Boston Music Hall

Before the '76 Stephen slowed waaaaaaaaaaaaaaaaaay down, you have this brilliancy. Expanding to 11 minutes of thematic bell-ringing, followed by a tight re-entry. No secret that St. Stephen was a point of contention in the band's history, but I listen to this one and wonder why didn't they take this style further?
Ship of Fools
June 9, 1976
Boston Music Hall

The orchestration of this version brings out emotional arcs that were sometimes lost in later version that didn't have the crescendo-decrescendo of intensity characterized by this one. I know some folks found this song a snooze, but when I listen to this one I can hear a complicated, introspective piece that does it for me. Nice version.
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