headyversion

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Carrion_Crow

Stealth Head

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Submissions

17
Playin' In The Band
Nov. 1, 1973
McGaw Memorial Hall - Northwestern University

A Dew>Playin'>UJB>Playin' jam of outrageous power, starting one of the great months in the band's history. Pity the show's not complete, though.
4
Mountains of the Moon
July 10, 1969
Playboy After Dark

Video w/ TC. See it to believe it. And believe me, Carrion Crow, it's an absolute beauty. http://www.youtube.com/watch?v=NVqArOogY-c
37
The Other One
Oct. 22, 1971
Auditorium Theatre

Get lined up, put on your helmet, then prepare to be shot out of a cannon for about 30 minutes. This is what early Dead is all about.
9
Me and Bobby McGee
Oct. 22, 1971
Auditorium Theatre

This one's a must for fans of this song: I know I'd trade some of my tomorrows for one more yesterday with Bobby & Co. Sweet and meloncholy....
12
Black Peter
Oct. 22, 1971
Auditorium Theatre

So beautiful I had to stop it mid way through and start it again. Impassioned, clear sounding, great vocals and harmonies. (Phil!) Perfect.
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Comments

They Love Each Other
June 10, 1976
Boston Music Hall

Seems like the first one where they made slowness the musical objective. While I personally prefer the uptempo versions, this one highlights some of the subtlety and innuendo that sometimes got lost in the uptempo ones.
Sugaree
June 10, 1976
Boston Music Hall

Just what they said above: Here starts the great Sugaree surge. Keith's work here is tremendous, and signals where the thinking was on this song for the future.
Brown Eyed Women
June 9, 1976
Boston Music Hall

Beautiful ensemble singing and a pristine jam here.
St. Stephen
June 9, 1976
Boston Music Hall

Before the '76 Stephen slowed waaaaaaaaaaaaaaaaaay down, you have this brilliancy. Expanding to 11 minutes of thematic bell-ringing, followed by a tight re-entry. No secret that St. Stephen was a point of contention in the band's history, but I listen to this one and wonder why didn't they take this style further?
Ship of Fools
June 9, 1976
Boston Music Hall

The orchestration of this version brings out emotional arcs that were sometimes lost in later version that didn't have the crescendo-decrescendo of intensity characterized by this one. I know some folks found this song a snooze, but when I listen to this one I can hear a complicated, introspective piece that does it for me. Nice version.
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