headyversion

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Carrion_Crow

Stealth Head

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Submissions

11
Let It Grow
Oct. 25, 1973
Dane County Coliseum

Been listening to this every chance I can all week. The band's so tight, Bobby's singing passionate and precise, Jer's musicality soaring. Amazing.
6
Goin' Down The Road Feelin' Bad
Oct. 25, 1973
Dane County Coliseum

Exhuberent and triumphant. Closes out one hellofa 2nd set and kicks like a rocket.
15
Stella Blue
Oct. 25, 1973
Dane County Coliseum

Sweet and subtle: A beautiful come down after the muscular peak Eyes - but the set isn't done and they ramp it up again for more. A gem of a show.
3
Casey Jones
Oct. 23, 1973
Metropolitan Sports Center

Interrupted by bad fight in front of the stage. Phil goes bonkers, calls the security guard "Asshole". Weird scene/bad vibes.
8
Black Throated Wind
Oct. 23, 1973
Metropolitan Sports Center

Keith on organ just kills it. He's hot in the mix and the song has a totally different feel for it. Show overshadowed by Nov.-Dec. '73 but worth it.
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Comments

They Love Each Other
June 10, 1976
Boston Music Hall

Seems like the first one where they made slowness the musical objective. While I personally prefer the uptempo versions, this one highlights some of the subtlety and innuendo that sometimes got lost in the uptempo ones.
Sugaree
June 10, 1976
Boston Music Hall

Just what they said above: Here starts the great Sugaree surge. Keith's work here is tremendous, and signals where the thinking was on this song for the future.
Brown Eyed Women
June 9, 1976
Boston Music Hall

Beautiful ensemble singing and a pristine jam here.
St. Stephen
June 9, 1976
Boston Music Hall

Before the '76 Stephen slowed waaaaaaaaaaaaaaaaaay down, you have this brilliancy. Expanding to 11 minutes of thematic bell-ringing, followed by a tight re-entry. No secret that St. Stephen was a point of contention in the band's history, but I listen to this one and wonder why didn't they take this style further?
Ship of Fools
June 9, 1976
Boston Music Hall

The orchestration of this version brings out emotional arcs that were sometimes lost in later version that didn't have the crescendo-decrescendo of intensity characterized by this one. I know some folks found this song a snooze, but when I listen to this one I can hear a complicated, introspective piece that does it for me. Nice version.
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